Tommy Abbott (Ian Hogg) has broken out of prison and returns home to a less than warm welcome from his wife Sal (Diana Bishop). John Watt is concerned to learn that Abbott’s on the loose. Reports have reached him that Abbott could be developing schizoid tendencies, which might make him a danger either to himself or others ….
When Abbott first appears he has two fellow escapees, Michaelson (Louis Mahoney) and Jewkes (John Garrie), with him. Let’s be kind and say that their performances are on the broad side – especially Mahoney – but things pick up when Abbott is left alone with his wife.
This was a fairly early credit for Hogg, probably best known for the eighties police series, Rockliffe’s Babies (which is long, long overdue for a DVD release). Abbott may be the focus of the Task Force’s attention, but until the last fifteen minutes or so he doesn’t have a great deal of screentime.
He winds up at the chemical plant where he used to work. Sal is convinced that he plans to kill himself and also hints that she was raped by him earlier (which might confirm Watt’s theory about Abbott’s devolving personality). Barlow, never the most tactful of people, labels Abbott as a nutter and doesn’t seem at all concerned to learn that he might be contemplating suicide.
Other programmes might have discussed whether the penal system had created Abbott’s problems, but SS:TF only lightly skirts around this issue. A psychologist is brought in, but he contributes little of value. There is a grudging comment that if Abbott is captured then he’ll receive treatment (had he stayed locked up, the inference is that he wouldn’t) but that’s as far as the debate goes.
We see several examples of Watt’s protective (or sexist, depending on your point of view) treatment of WDC Donald. It’s slightly eye-opening but no doubt reflected the attitudes of the time.
PC Snow and his new police-dog Radar (who replaced Inky, shot down in the line of duty in the final episode of series one) believe they’ve located Abbott, but if he’s inside the chemical plant then they’ll have to tread very carefully (Abbott is carrying a box of matches and one spark could cause an inferno).
Baptism is a static, talky episode but things pick up towards the end when Abbott makes his reappearance and we see Barlow entertain himself by browbeating Michaelson. Mahoney has some decent material to work with here and the battle of wits between Barlow and Michaelson is a good one.