Tom, out in the Flying Fish, is looking a little down in the dumps. You know what he needs? A chortling Jack to turn up alongside, offering to cheer him up. “You look bloody awful” is Jack’s opening gambit. I love Jack ….
Tom’s rejoinder (“Jack, will you belt up?”) is delivered by Maurice Colbourne with a chuckle. Was this as scripted, or was some of Colbourne’s real character breaking through? It doesn’t really matter either way, as it works very well.
Charles and Gerald’s lawyer, Thornton (Andrew Burt), seems confident that they have no case to answer. It’s a sunny day in Tarrant when the three have their breakfast meeting (which makes the scene an attractive one). It’s rather disconcerting that the brief exterior shot of the court is on videotape (virtually all of HW‘s location work was done on film) but this makes sense when we see that the court interiors were also shot on videotape at the location and not in the studio.
Gerald continues to twitch whilst Charles is gloriously unconcerned. Will they ramp up the tension and keep us hanging on for a verdict? No, not really. Thirteen minutes in and the case in thrown out. We don’t see inside the courtroom, so once again a dramatic moment is missed (but on the plus side, it saved the production some money). The dogged Inspector Daniel Morris (Kenneth Lodge) vows to continue the fight, but as this is Lodge’s final episode he’d better hurry up.
This plotline is mainly interesting for exposing the cracks in the professional relationship between Charles and Gerald. Once, Gerald would have trusted Charles without a second thought, but not any more. The way that Gerald firmly tells Charles that he can’t work tonight (he’s arranged a dinner with Abby and Leo) is striking. The worm has turned.
Gerald is very merry when he, Abby and Leo return home. This is good to see, as it’s been a while since Gerald’s been able to relax. His melancholy is never far from the surface though. He tells Abby that he’s really sorry that Polly isn’t here (Abby tells him to thank his lucky stars she isn’t!).
James Brooke (Andrew Bicknell) is a major rival of Jan’s (with a string of boutiques) but Jan seems drawn towards him. Mind you, he’s a bit slow on the uptake – at first he doesn’t have a clue who she is! Or does he actually know more than he’s letting on? Time will tell ….
He also doesn’t seem aware that Jan – like a predatory fish – is eyeing up his business hungrily. She wants to expand, he’s got financial problems, so a merger might be in both their interests. That Jan’s considering this mere minutes after meeting him is slightly hard to take – at present, HW seems to be rattling through various storylines.
The convivial lunch between Jan and James comes to an abrupt end when Tom pops by. Tom doesn’t express any overt jealousy, but James seems to be able to sense straight away that Tom and Jan still have a very strong connection. Tom’s not convinced that this merger is wise (or maybe he’s slightly disconcerted by James’ good looks).
Avril continues to look rather foxy (today, in a red dress) as she and a sharply-suited Leo settle down to discuss their powerboat racing strategy (now that Leo’s retired from racing he’s moved up to an executive level). Their meeting is cut short when Charles comes calling though. Personal and professional bitterness causes this short scene to crackle. This is one plotline that looks to have some legs.
Charles wants to regain Relton, Avril isn’t prepared to give an inch, so I think we should settle back and enjoy the battles to come. “If I have to break you in the process, believe me I will” he tells her.
Glyn Owen’s marvously expressive face is put to good use during a scene when Vanessa ponders on the road not taken (in another life, someone like Avril could have been her daughter). Jack, of course, doesn’t have a great deal of time for this sort of talk, it’s just not in his nature.
Today’s random observation. Somebody coughs very audibly at 43:46, at the start of the scene with Charles. Was it the off-camera Gerald or a member of the camera crew?
We end this episode with the unforgettable sight of a topless Ken and the equally impressive visage of Laura squeezed into a teeny-tiny leopardskin bathing costume. Crickey, that’s something you don’t see every day. Moored on a yacht at sea with (of course) plenty of champagne, they have a bit of a smooch. Laura’s still not selling her company though (even though Ken’s turning on the charm) but she wouldn’t be adverse to a merger.
She then elects to leave Ken, who’s gone for a swim, all alone, whilst she toddles off in the yacht for a while. Poor Ken, it’s not his day ….