When The Day of the Triffids came out on Blu Ray late last year it was greeted with a chorus of disapproval. Having recently acquired a copy, I was intrigued to find out how the various reviews published at the time addressed the hotly debated picture issues.
Some quick Googling later, it appears that whilst most of the reviewers were aware of the negative comments, they went on to dismiss the concerns raised – either because they hadn’t watched the serial since its original broadcast and so were unaware of how it had always looked or they simply believed that VT interior shots would never have the same quality as the film exteriors.
The arguments against the BD were basically threefold. Firstly the film sequences (which make up approximately 60% of the serial) had been oversaturated, lending some sequences a bright, sunny feel (rather at odds with the gloomy feel of the original). Next, the VT studio shots had all been “filmised” – but unlike various previous releases where this had been done accidentally, apparently this time round it was an artistic choice. Hum.
Lastly, the credits were remade. This is something that happens regularly on the Doctor Who DVDs and BDs, but they take extreme care to find fonts which match the originals – whereas on the Triffids BD a close approximation was used. Good enough for most, but an irritation for those who have lived with the serial for forty years ….
I could cope with the titles issue, but the grading and filmising are the sort of things which raise my hackles. We’ve been here before with grading problems – some of the Peter Davison Doctor Who DVDs looked a little odd (Black Orchid springs to mind) whilst accidental filmising has bedeviled various DVDs such as Softly Softly: Task Force series one (eventually fixed) and Grange Hill series one – four (never fixed, alas).
Modern televisions tend to handle filmising better than old ones (when I rewatched the early Grange Hill DVDs recently I found that it didn’t look quite as bad as I’d remembered) so the VT scenes in Triffids aren’t totally horrible, although knowing that they could and should be better is a tad irritating.
The film sequences are certainly dazzling – Jo’s yellow boiler suit leaps out of the screen, for example – but I think overall I prefer the more muted feel of the DVD. When I come back to Triffids in future it might be the DVD I’ll reach for, rather than the more glossy BD. What’s certain is that unlike some BD upgrades, I’ll be hanging onto the DVD.
Irrespective of how you watch it, you certainly should. John Duttine is very solid as the everyman cast in an almost impossible situation, with Emma Relph (an actress with surprisingly few credits) offering him strong support. Maurice Colbourne is always watchable whilst there are plenty of vividly sketched cameos (from the likes of Jonathan Newth, Stephen Yardley, David Swift and John Hollis).
With a limited budget, director Ken Hannam managed to effectively depict a London in turmoil during the early episodes (it’s amazing what a few sound effects and a handful of extras can achieve). There are some drawbacks – it was a pity that Bill (John Duttine) didn’t witness Dr Soames’ suicide as he did in the book – but having Bill return to find Soames’ body did mean that the production was saved the cost of an expensive stunt ….
Coming up to its 40th birthday, Day of the Triffids has lost none of its power to discomfort (amazing to think that it was deemed to be acceptable pre-watershed fare).
8 thoughts on “The Day of the Triffids on Blu Ray”
Good review. Pity about the restoration issues, I remember this series well and hoped they’d done the same sort of job as has been done with Season 19 of Doctor Who.
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A pity that the same people who work on the Doctor Who BDs didn’t work on this – had they done so, then I’m sure none of these issues would have applied.
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Although season 19 of Dr Who does have the Black Orchid issues and every film sequence seems to have required them to turn all red objects into a hot orange. From Davison’s coat piping to fire alarms.
I was planning to get this for my birthday, along with some of the other classic drama HD upgrades that the BBC seems to have brought out recently (Tinker, Tailor; Smiley’s People and Edge of Darkness). I don’t have the DVD, so my only point of comparison is my memory of the TV broadcast. Day of the Triffids is probably the first science fiction novel I read (in school) and it helped to hook me on the genre. It remains one of my favourite SF novels to this day.
Incidently, what is the process of “filmisation”?
It’s a little hard to explain – easier to see it in operation, but you’ll know the problem if you saw it. If you’re familiar with 1960’s Doctor Who, then you should be able to see the difference between episodes processed with VidFIRE (restored to look like their original videotape masters) and the original film telerecordings (which have a much less fluid look).
Basically they’ve removed the interlacing, so instead of a nice fluid 50 fields per second it’s down to 25 (or 24) frames per second.
I have Edge of Darkness and the quality is excellent, all film so no film v video issues.
Filmised video is generally de-interlaced to reduce fluidity. Standard PAL video is 25 frames per second made up of 2 interlaced fields. Film is also 25 frames per second but not interlaced so loosing 1 field per video frame makes video look more like film. In my opinion film segments should look like film and video like video. I want the best quality release from the assets available not tampering!
OK, thanks. That makes sense. I have the SD version of Edge of Darkness, so I can compare those. I have all the 60’s Doctor Whos, but I’m never sure which process was used to restore which ones. I have noticed that some look better than others, but since I originally saw them as 405 line TV broadcasts they all look good to me!