Simon Templar and Janie Lennox (Ciaran Madden) are both passengers on a train bound for London. When the train stops at a signal, Janie sees what she believes to be a murder taking place in a nearby warehouse. Simon, who moments earlier was wishing that something would happen to break the monotony, is naturally intrigued.
The next day, Simon, Janie and the police travel to the building – but the body that Simon and Janie found earlier in the day is no longer there. Inspector Grant (Frederick Jaeger) later tells Simon that since Janie has a history of psychiatric illness it’s probable her story was nothing more than a delusion.
Following on from the picture-postcard stylings of The Imprudent Professor, Signal Stop has a very different feel. Most of the story takes place in dirty or run-down locations – an abandoned warehouse, a scrap-yard, etc which gives it something of a Sweeney/Professionals feel.
Just as The Arrangement owed more than a little to the novel Strangers on a Train, Signal Stop also seems to have been inspired by a crime classic. In 4:50 From Paddington by Agatha Christie, a character witness a murder from her vantage point on a train – but with no body she finds it impossible to convince the authorities and only her friend Miss Marple takes her seriously.
The notion of observing a murder from a train (and therefore being helpless to intervene) is a decent one – although it’s fair to say that this story is a little flawed. The major problem is that it’s baffling why the body was simply not taken away before Simon and Janie turned up the next day to find it. No body = no crime.
Instead, the murdered man is left on site for them to find. Simon then drives Janie all the way back to his house before phoning the police and driving back. Naturally enough, by the time he returns the body has vanished. Since he has a phone in his car, why didn’t he call the police and wait for them at the warehouse?
But despite these rather serious plotholes, there’s still a very decent, and unusual, story here. Ciaran Madden impresses as the vulnerable Janie. Unlike most of the other Saint heroines, she’s a flawed and damaged individual – although Simon’s faith in her never wavers. It’s possible to argue that the script missed a trick by allowing the viewer to see the attack take place though. Had this not happened, and we only had Janie’s word, it would have allowed the viewers to wonder if it maybe was just a figment of her imagination.
Ian Cullen is hardly stretched as one of the police officers, especially since he’d had a been a regular in Z Cars and could presumably have played this sort of part in his sleep. Brian Glover, George Sweeney, Ralph Arliss, Heather Wright and Sabina Franklyn help to round out the cast. Franklyn has a blink-and-you’ll-miss-it role as a uniformed police officer who Simon effortlessly charms whilst Arliss makes a brief appearance as a hells-angel sort of biker. Although as so often with ROTS, the biker gang never really exudes any sort of menace.
Frederick Jaeger’s rather good as Inspector Grant. It’s the sort of part that seems at first to be fairly routine but by the conclusion of the episode he’s moved more into the forefront of the action.
Despite some flaws, Signal Stop rates a healthy three halos out of five.