Tom’s out for an early morning jog – doing his best Steve Austin impression. This isn’t a regular occurance, so something must be about to happen. And it does. He spies a mysterious balaclaved man (all dressed in black of course) mucking about with Spring. Tom rushes over to remonstrate, but alas he’s felled with a single punch as the masked man makes a speedy escape.
If this isn’t exciting enough (interesting that – for once – there was no incidental music during this mild action scene) then there’s better to come. A topless Leo (well, better for some people I guess) and a disheveled Abby emerge from Spring‘s cabin. The plot thickens when it’s revealed that the thief had left behind plans of Sir Edward Frere’s design for the America’s Cup.
Gerald and Charles continue to glance at their teeny-tiny monitor, worrying about their share price (the VDU display looks a little Ceefax-like. Possibly it could be Prestel, wich was still active in the late 80’s). Charles is keen to buy Ken’s Relton shares but Ken isn’t inclined to sell. Meanwhile Laura continues to scheme away – as Gerald notes, Ms Wilde is only interested in one person (herself).
Jan and James (she’s dressed stylishly in black, he’s wearing a pair of braces) clash yet again. Given what James is wearing today, I’m not entirely sure I’d trust his judgement as a fashion designer ….
Jan – fretting about Leo’s problems – finds that James is a sympathetic listener. A little more backstory about his characer is shaded in when we learn that he has, or rather had, children. It’s left dangling for the moment as to exactly what this means.
They’ve been arguing so much recently, it surely must mean that love is in the air. Our first inkling of this comes when Jan invites him to dinner. He agrees (and comes armed with a bunch of roses). Mind you, he seems surprised that Leo’s not there, so presumably he was expecting a family meal. Possibly he hasn’t dated too much recently.
He finally explains what happened to his family. His wife left him, took his children, and moved in with an estate agent from Guildford. Thank goodness! I was expecting much bleaker news – a car crash, say. Jan has a little chuckle at this, which seems a bit mean. Is it the estate agent part or the Guildford part which tickles her fancy?
And then they lock lips, only for Jan to break away to tell him that “I fired Mark this afternoon”. I’m not sure whether this was a tongue in cheek moment or if Christopher Green (today’s writer) was being serious. We know that Jan is an obsessive businesswoman, but surely even she can stop thinking about business for a few minutes?
Still, the way that they embrace again and slowly sink down out of sight whilst the camera coyly moves over to the stereo (which is pumping out a selection of light classics) makes it plain what’s going to happen next. I also love the notion that a night with passion with Jan fires James’ creative juices so much that the first thing he does next morning is to sketch out a new design. And shortly afterwards he’s created a whole new portfolio. Wow!
Following the departure of Davy a while back we haven’t, apart from Bill, had any regulars in the yard. Kelly George (as Ted) has lurked about in the background for a few episodes this year and today gets a few lines. But this is the last we’ll see of him (a year or two later he’ll pop up in Grange Hill as Ray).
Jack’s disappeared, annoyed that Vanessa’s been buying up Relton shares in order to shore up Avril’s position. “I could cheerfully strangle him” mutters Tom, after Vanessa tells him all. There are various HW‘s staples and Jack going walkabout is one. Cue several scenes of Tom and Bill anxiously standing around, waiting for news.
Given the number of times he’s done this before, it’s difficult to be too concerned about this latest vanishing act though. And so it proves as Jack’s eventually tracked down (to a boat, obviously). He looks rather good in full-on stubbly mode. Glyn Owen and Lana Morris share another nicely written two-handed scene.
Leo’s clearly not himself, as a trainee under his supervision badly injures himself lifting an engine. It’s another odd moment, since we don’t actually see the accident, only hear about it later when it’s discussed by Leo and Avril. Budget saving or an attempt to streamline the storytelling?
Last episode’s cliffhanger (will Abby stay or will she go?) is answered in an oblique way. She tells Leo that she gave him her answer the other night on Spring. His self-satisifed smirk should be all the information we need to fill in the blanks. Abby has been on the verge of confiding something important to Leo on more than one occassion this year, but just before she’s about to speak each time something distracts her. Today it’s the sight of Gerald and Laura having a meal. It’s suggested that Gerald has his eye on Laura, or is it purely business?
The thick plottens when it’s revealed that Orrin(!) was the masked man who planted the America’s Cup designs on Leo. You’d have assumed he would have been able to delegate this sort of thing to a minion, but clearly not. The killer blow is delivered when Orrin (off-screen, annoyingly) tells Tom that it was all Polly’s idea.
Gerald and Polly confront each other. He tells her that “you suck the marrow out of people’s bones and spit it out when it’s no further use to you”. Abby – stuck in the middle of their bickering – then delivers her bombshell … she’s pregnant. That Gerald immediately embraces her whilst Polly keeps her distance is highly characteristic (although Abby does make it plain that she doesn’t want her mother to touch her).
No doubt this is the important news she’s attempted to tell Leo on several occassions. Polly has a lovely deadpan comment. “Well done. Another baby to give away”.
This is easily her best line from what turns out to be her final episode. Given the way that characters tend to come and go, viewers at the time might have expected her to reappear later on, but it wasn’t to be. So it’s a slightly low-key way for Polly to exit, especially since most of the dramatic lines are coming from Gerald (he picks up a phone, rings for a taxi and tells her she has to leave the house within an hour).
Was this always intended to be her final appearance or did they hope that Patricia Shakesby would return? It feels pretty open-ended – and the fact that Polly barely featured in this episode does lead me to suppose that it wasn’t suposed to be the final end. After all, had this been planned as her last hurrah you’d have expected they would have given her something more dramatic to work with.