Having recently marked the 52nd anniversary of part one of The Dæmons, I decided to give the whole serial another airing. What follows is less of a review and more of a random selection of observations stitched together. Hopefully some may be interesting or entertaining (fingers crossed).
Who (or what) killed old Jim, who met his end in the very first scene? It can’t be Azal, as the Master hasn’t called him up yet, and presumably it wasn’t Bok (as he tends to simply evaporate people).
After at least one mysterious death (Professor Horner) it slightly beggars belief that the police force of Devil’s End (who apparently are represented only by poor old PC Groom) allow the BBC crew to nip off home in double quick time. I understand why it happened in programme terms (they’d served their story purpose and if the actors hung around, they would have had to be paid) but it’s a tad jarring.
Jon Pertwee gets an easy episode two, as he spends most of it asleep. Whilst he’s napping, Yates and Benton arrive at Devil’s End in the Brig’s chopper. Why are they in mufti? (were their uniforms in the wash?). Since they’re on duty, this seems a little odd – but, hey, we get to see what casual wear they favour, so it’s not all bad.
If The Dæmons doesn’t do the Brig any favours (he’s literally shut out of most of the story) then Yates and Benton are the ones who pick up the slack. John Levene teams up with the delightful Damaris Hayman (Levene was always at his best when given a strong actor to bounce off – see his interplay with Troughton in The Three Doctors). Mike Yates turns into an all-action hero which is interesting, I guess.
It’s well known that Jon Pertwee often asked for “a moment of charm” to be inserted into the stories. I wonder if he also sometimes requested “a moment of arsiness?”
There’s a prime example in episode three, when Jo (after observing that the Brigadier’s desire to blow things up might be a tad counterproductive) has to meekly stand by as the Doctor lectures her. “Jo, the Brigadier is doing his best to cope with an almost impossible situation. And since he is your superior officer, you might at least show him a little respect”.
What makes this even more galling is that you know Jo’s comment is one that the Doctor could easily have made himself. For boorish behaviour, it doesn’t quite top the Doctor’s sandwich-guzzling in The Sea Devils, but it’s a close run thing.
Azal’s quite well behaved isn’t he? The Master raises him up several times and it seems that all he does is pop out into the countryside for a quick stroll (Yates and Benton spot his hoofprints on one occasion) before returning to the church for a rest. Presumably he stomped on PC Groom but maybe that was more accidental than malicious.
The Doctor/Master confrontation scenes are always a highlight, so it seems odd that they don’t meet until the end of the story. Especially since both are stuck in the same tiny village.
Azal doesn’t make a full on-screen appearance until the cliffhanger of the penultimate episode. If you’re going to hold back your monster until then, he’d better be good. Ah well, you can’t win them all. Stephen Thorne isn’t quite as shouty as when he assumes the mantle of Omega, but (if truth be told) the story does rather stumble to a conclusion in episode five.
I dug out my DVD for this viewing. Given that it’s getting on in years (released in 2012) I was pleasantly surprised how good the picture quality was. Mind you, I have to confess it’s one of those Pertwee stories that I still sometimes watch in black and white (as that’s how I originally saw it – via bootleg VHS recordings of the Australian repeat runs during the 1980’s).
This might seem strange, but then I stumbled across this BFI screening of Spearhead from Space in B&W so maybe I’m not alone. Although since I’ve never seen Spearhead in monochrome, I’m not sure whether that would work for me.
I’ve now got a hankering to dig out Barry Letts’ novelisation which adds some extra value to the story (the travails of Squire Winstanley, for example).
Is The Dæmons a classic? Hmm, not sure. It’s nicely paced, rarely dull and the substantial location filming in and around Aldbourne gives it an ITCish sheen that few other DW stories of this era have. Not a tip top favourite then, but one that I enjoyed revisiting after a number of years.