Crowther (Willoughby Goddard) and his henchman Williams (Brian Rawlinson) kidnap Sally and issue Brady with an ultimatum. If he wants her returned, then he’ll have to steal £50,000 from the bank ….
Bank Raid was a pretty cost-effective tale, since it used material shot for the unaired pilot. The first half is new, with a different take on Sally’s kidnap, whilst part two is lifted direct from the pilot (the bank raid and aftermath).
The episode opens at the riverbank. Sally appears to be fishing by herself and Williams makes a move to snatch her. Rawlinson is decidedly creepy (Williams tells Crowther not to worry, he has a way with children). The tension ramps up a little more as Williams advances on Sally, preparing to use his scarf as a gag.
This tension is quickly dissipated once it’s revealed that Brady (in his invisible state) is fishing alongside her. The sight of his fishing rod bobbing up and down is a nice image as is the later scene of Brady lifting weights at home (once again invisible, of course) with Sally by his side, joining in. It’s odd though that Brady didn’t seem to notice Williams by the riverbank, chatting to Sally. Presumably he must have been engrossed in the fish he was attempting to land …..
In the pilot, Sally was kidnapped off-screen, here we see the girl abducted from her school. Crowther, posing as a doctor, manages to convince Sally’s headmistress that the child’s mother is lying desperately ill in hospital. When Dee later turns up to collect Sally she’s understandably shocked that her daughter was allowed to go off with a stranger. Clearly it was a more trusting time.
Deborah Watling is the recipient of a few nice new scenes, most notably when Crowther is driving her away. She idly decides that he would look much better if he was invisible!
But as with the original, once Sally’s in the clutches of Crowther and Williams she pretty much disappears, only popping up again right at the end. My comments on the bank raid part of the plot from the pilot still stands – it’s fairly diverting stuff but the tension level is pretty low.
Willoughby Goddard is good fun as the corpulent Crowther whilst Brian Rawlinson’s Williams starts off in sinister mode (both during the fishing scene and later, when he confronts Dee in a scene from the pilot). By the end though, both of them have been made to look faintly comic after Brady effortlessly outfoxes them.
A story of two halves then. The new material beefs up the episode somewhat, but it’s still not the best that the series has to offer.