This week’s sketch features Les as a myopic waiter in a curiously empty restaurant. Either this was done for comic effect or it was simply because the show couldn’t afford any extras. Never mind, it’s not long before two customers (played by Hugh Walters and Joan Savage) wander in. From the moment she opens her mouth for the first time it’s clear that she’s the dominant one (no surprises there, since Walters excelled at playing hen-pecked and inconspicuous types). It’s always a joy to see Walters – but his one-off appearance as a Dawson stooge makes it clear that, as yet, Sez Les didn’t have a regular group of comic performers (Roy Barraclough would later fill one of those roles, but at present he was only one face amongst many).
Dawson – dressed in an impossibly small waistcoat – creates the expected level of comic mayhem due to his inability to see anything at all. He affects an Italian accent for a few seconds before dropping it (although there doesn’t seem to be any comic reason for this). Since Savage is so incredibly shrill and annoying it’s no surprise that the audience approves when most of the food ends up in her lap rather than on the plate.
Walters is positioned as the sympathetic one (I like his plaintive statement that he should have listened to his mother and stuck with his whippets!) with the eventual punchline reveal being that he’d paid Dawson specifically for this service. With Dawson concentrating on crafting his monologues, a small group of writers were responsible for the sketches. At present they’re workmanlike but not terribly inventive (fresh blood in later years would see the standard rise).
Dawson’s close encounters with pianos were always notable, but one of the best gags from this second half sequence comes before he sits down – he flicks the tails of his evening dress so hard they fly off!
There’s only one guest today – Miss Shirley Bassey. Possibly she was more expensive than some of the previous acts (if so, they got their money’s worth out of her as she performed two songs). She closes the first half with Till Love Touches Your Life but the main point of interest is that she opens part two with Diamonds Are Forever, just a week after the Batchelors performed the same song.
If these shows were recorded in order then this seems a little odd. True, the Bachelors had released it as a single, but with La Bassey due to appear the week after, it’s a strange duplication. No prizes for guessing who comes out on top – backed by the Syd Lawrence Orchestra, Bassey’s live vocal has all the punch and control that you’d expect. Easily the highlight of the show.