For obvious reasons, many Christmas editions of TOTP are unlikely to ever surface again on British television (instead they’ll live out the twilight of their lives on YouTube and other streaming services). But it’s lucky that one which is still available for rescreening – 1973 – is something of a corker …
Presented by Tony Blackburn (nice tanktop, sir) and Noel Edmonds, it’s a glamtastic forty minute treat. Well, maybe that’s overselling it – let’s say that the glam quotient accounts for a good half of the running time whilst the other half is more of a mixed bag.
Many people (including one positioned right behind Tony and Noel) are wearing impressive hats. That can only mean that Slade are in the building. They kick off proceedings with Cum On Feel the Noize, a piledriver of a song which gave them their fourth UK Number One single. Forty five years on it’s still ridiculously entertaining – as is Dave Hill’s remarkable clothing (I’m sure someone else has already observed that he appears to have come dressed as a Kraag, so I won’t crack that gag).
Donny Osmond (on film) brings the mood down with Young Love (not my cup of tea) but no matter, things soon get back on track with Suzi Quatro and Can The Can. Suzi, a vision in black leather, is very compelling (I believe there were other people on the stage with her, but I can’t remember what they looked like).
Her first UK number one (surprisingly it only stayed at the top spot for a week) Can The Can was another gem from the Chinn/Chapman writing team. 1973 was a pretty decent year for them, as they also penned several classic Mud tracks (including Dyna-Mite) as well as the Sweet standards Blockbuster and The Ballroom Blitz. Indeed, it’s a pity that there’s no Sweet action in this special, as that would have been the icing on the cake.
Another change of mood as Tony introduces one of the surprise hits of 1973 – the Simon Park Orchestra and Eye Level. The theme to Van Der Valk, it’s always been a favourite of mine. It was composed by Jan Stoeckart. who worked under various pseudonyms – one of the better known being Jack Trombey. As Trombey, he composed a fair few library tracks, several of which were used as the themes for series such as Callan and Never The Twain.
Oh god, it’s little Jimmy Osmond and Long Haired Lover From Liverpool. Press the fast forward button quick ….
Up next is Tony Orlando and Dawn – Tie A Yellow Ribbon. Singing live, Tony certainly puts his all into this tale of a convict, his sweetheart, a tree, a bus-driver and a yellow ribbon. It’s cheesy stuff, but I love it.
Pan’s People interpret Gilbert O’Sullivan’s Get Down in their typically literal way (they spend their time wagging their fingers at some dogs and flouncing about – the girls that is, not the dogs). Inded, the dogs fascinate me as they’re so incredibly well behaved, none of them move a muscle (well, apart from one who made an early exit).
After a spot of film (David Cassidy – Daydreamer) we’re back in glam mode with 10cc and Rubber Bullets. Well, it’s a glamish sound (albeit riffing classic-era Beach Boys) but the boys haven’t really come dressed for the occasion. Another favourite, it’s slightly amazing that the lyrical content didn’t earn the song a ban in the UK (maybe the jaunty music helped to divert people’s attention).
Peters and Lee perform their debut single, and by far their biggest hit, Welcome Home. There’s something very warm and very seventies about it. A track that’s aged well I think.
If the boys in 10cc didn’t make much of an effort clothes-wise, then you can always rely on Roy Wood and Wizzard. Teddy boys, an angel on roller skates, gorillas and Roy himself all make for an intoxicating mix. Oh, and the song’s pretty good too (See My Baby Jive).
Slade play us out with Merry Christmas Everybody. Sadly we miss the moment where Noddy Holder gets a pie in the face (but then some of the camerawork does seem a little off during this song) but no matter, it’s the perfect way to conclude a show that always brightens up my Christmas.