Written by Tony Barwick
Directed by Alan Perry
Straker has a idea about how to be proactive in the fight against the aliens. He plans to place a highly advanced new camera in a probe which will follow a UFO back to its home planet. They will therefore be able to see, for the first time, pictures of the mysterious home-world of their deadly enemies.
Straker needs a billion dollars for this project, but seems totally confident that he’ll get it. As he tells Kelly (Neil Hallett) “It’s a space project”. This helps to anchor UFO very firmly in the late 1960’s and early 1970’s (when the series was made) rather than the early 1980’s (the date the programme was meant to be set). At the time of the first Moon landings, space was seen as the future but as the 1970’s wore on, interest declined and the real-life possibility of a Moonbase, for example, seems remote today.
If the basic story premise of a space camera doesn’t sound particularly interesting, you wouldn’t be far wrong as Close Up is quite a slow moving and uninvolving story. There’s the odd flash of excitement and, as always, some gorgeous modelwork but overall it’s a damp squib.
It does have a few plus points though. Although it doesn’t seem to connect to the main story in any way, we spend the first five or so minutes with Skydiver. We get to see the Skydiver submerge and there’s plenty of time to take a good look at the craft. Another indication that the episode was underunning, maybe?
The other chief item of interest is the conflict between Straker and Lt Ellis. Straker has gone to Moonbase in order to keep an eye on the probe and clashes with Ellis. This is a little odd, since there’s never been any hint of conflict before and to be honest, Straker doesn’t come off well here particularly when he tries to win her around with such compliments as “don’t ever forget, you’re a very attractive girl”. However this does mean that Gabrielle Drake gets some decent screen time, which even in an undistinguished episode like this, is welcome.
Eventually the pictures come back, but they’re worthless. An onboard fault has prevented transmission of the range and magnification so there’s no way of judging the size of anything captured.
This then leads us into the closing scene, another odd one, in which Kelly demonstrates to Straker the problem with the pictures by showing him a shot of Lt Ellis, posing very nicely for him in the next room, magnified a thousand times. Straker seems convinced, especially when he tries it for himself, by zooming into Ellis’ crotch area!
Tony Barwick wrote some of UFO’s best episodes, but he was also responsible for some pretty indifferent stories such as this one. But much better from him was just around the corner.