Written by Robert Banks Stewart
Directed by Peter Duguid
Eric Marshall (Harry Towb) and his daughter Nadia (Angela Morant) run a pet shop in Shepherds Bush. They’re also enemy agents. The stuff they do is pretty low-grade though, Hunter says that they’re “little more than clerks, transmitting, reducing stuff to microdots and delivering to dead letter boxes around London”.
They have their uses though, as Hunter wants to unwittingly employ them to catch a big fish – Belukov (Frederick Jaeger). Belukov is a remote figure who never leaves the safety of his Embassy, but when Hunter spreads a story that the Marshalls wish to defect, he hopes it will flush him out. And Callan will be there to finish him off. He has a special interest in this mission – six years ago Belukov killed Callan’s girlfriend in Beirut.
As with all the episodes featuring Ronald Radd’s Hunter, it’s the conflict between him and Callan that provides a great deal of the drama. This is no exception, as once Hunter has told him that his target is Belukov, he’s pleased to see the reaction on Callan’s face. Callan wants to kill Belukov, of course, but he’s also angry with the way that this Hunter can manipulate him. “You know, ever since you left, this has just been an ordinary job for me. But no, that’s not good enough for you, mate. You’ve really got to get me going”. Hunter responds by telling him that “you always work much better that way, Callan”.
Callan replaces an enemy agent called Ross (Roger Bizley) and can’t help but get to like both Marshall and his daughter. They’re not monsters – just two people working for the interests of their country. And when Callan realises that Marshall is terminally ill, he tells Hunter that “I wouldn’t have gone within a mile of that place if I’d known. Trust you to use a man who’s only got a few months to live”.
Hunter is unmoved – if the Marshalls have to be sacrificed then they will. Callan knows what will happen to them if they’re caught. Eric Marshall will be dead within a few months and his daughter will languish in jail for twenty years. Later, Callan is able to spirit an injured Belukov away and offers Hunter an ultimatum. He’ll kill Belukov if Hunter allows the Marshalls’ to leave the country.
Frederick Jaeger is good value as Belukov. Once he was a top agent, now he’s reduced to pushing paper around the Embassy, although the crisis that Callan and Hunter create does force him into the open. At the end of the story, Belukov taunts Callan that he’s weak and always has been. Could Callan kill an injured, unarmed man in cold blood? The final shot of the episode is interesting, as Callan attempts to wipe the blood (real or imaginary?) from his hands.
There’s also a few decent scenes for Lonely, who’s greeted by Callan with the words “My god Lonely, you smell like rising damp today, you really do”. We also get to see Meres’ unusual interrogation techniques, which include firing a gun close to the unfortunate individual as well as driving golf balls at him.
Nice People Die at Home is mainly about the relationship between Callan & Hunter and Callan & Belukov. The three actors are firing on all cylinders, especially Edward Woodward who once again is unforgettable as the complex, conflicted Callan.