Abdul Hakim (Garrick Hagon) is a leading member of the Black September terrorist group. It’s rumoured that he’s in London and is being pursed by his own people. The Israelis are also desperate to pick him up and interrogate him (Hakim knows the names of all the top operatives in the organisation).
Simon Templar, due to his knowledge of London, is regarded by the Israelis as the ideal man to partner their leading counter-terrorist officer in a race against time to track Hakim down before his former friends find him. Simon is initially reluctant, but when he learns that the officer is an attractive young woman (Prunella Gee playing Captain Leila Sabin) he becomes much more interested …..
One Black September is a slightly uneasy mix of real world politics and the usual escapist fare of an ITC adventure series. For a modern audience, their name might not be instantly recognisable, but in 1978 they would have been very familiar. Just six years earlier, Black September killed eleven Israeli athletes and a German police officer during the Munich Olympics. During the early to mid seventies they also carried out numerous other attacks (and copycat activities were also attributed to them) which ensured that their name often featured in the headlines.
It’s the decision to use a real terrorist organisation that ensures One Black September has a slightly off-key feel, which is reflected in the attitudes of Simon and Leila. Simon is his usual relaxed, flippant self whereas Leila is humourless and completely focused on the mission.
Matters come to a head later on, when Simon tells her she’s forgotten that she’s a woman (mainly because she seems to have no interest in sleeping with him!) Leila counters this by telling Simon that her entire family were murdered by terrorists, so until Hakim is captured she cannot afford to let her concentration slip for even a moment. Immediately prior to this, both Simon and the camera spend a little time ogling her shapely bottom as she bends over a map of London. Both this, and Simon’s unsubtle efforts to romance her, mean that this is very much of product of its time.
Dodgy politics (both political and sexual) aside, this is a decent run-around. Hakim’s former colleagues are led by Masrouf (Stephen Grief) and Rahaman (Nadim Sawalha). Like everybody else, they’re lightly sketched characters, so the actors have to put the meat onto the bones (Grief is particularly effective with this).
Eventually Simon is able to pick Hakim up – but Leila is captured by Masrouf and the others. Masrouf suggests a trade, which the Israelis strongly resist, but Simon gets his way. In real life, of course, it’s impossible to imagine they would have acceded so readily to Simon’s request (he threatens to expose their illegal capture of Hakim, but it’s doubtful whether that would have really worried them).
Naturally, the Saint is able to extract Leila and keep Hakim – and in exchange for a plane ticket out of the UK Hakim gives the Israelis the names they need. Leila bemoans that fact that a man like Hakim, responsible for countless murders, is simply going to get away. But Simon has seen Rahaman in the airport terminal and makes no attempt to raise the alarm.
It’s another example of the Saint’s ruthless nature, which comes to the fore occasionally. He knows that Black September will execute Hakim and is content to stand by and let it happen. It’s a powerful moment and would have worked very well as the final scene (alas, a more conventional tag scene is added – with Simon and Leila heading off on holiday).
Although it’s not perfect, One Black September still rates three halos out of five.