A woman called Anna Cornish is shot. Who did it and why was her body moved across town?
Although Mrs Cornish is a respected member of the local community (a black lawyer and a noted anti-drugs campaigner) the team can’t expect to receive much in the way of cooperation. Temple sums the mood up when he mentions that the community despises the police only slightly more than they hate each other.
The bleakness and hopelessness of mid nineties inner-city Britain is a running theme of Out of the Blue and gets developed in this episode. Mr Megson (Tony Barton) was the publican who wheeled Anna from away from his pub and he doesn’t waste any time in explaining why. Anna was “a colonial cousin” and, according to him, a member of a race that doesn’t have a great respect for human life.
Megson believes that all of the estate’s problems can be dated to the arrival of the black community, which leaves us with the strong impression that he regarded Anna as little more than a piece of rubbish to be removed. It’s striking that Megson doesn’t seem to understand that he’s done anything wrong although when Bruce tells him that he may end up charged with manslaughter he starts to take attention.
A tip-offf leads them to three suspects, Shaun Hayley (Tim Evans), Bunny (John Muir) and Daniel Gelder (Taurean Mulholland). They’re only fifteen though. Could a group of fifteen year-olds really be responsible for this shooting? It’s a telling moment that nobody dismisses this out of hand. It clearly wouldn’t be the first time something like this has happened.
On the plus side, the episode doesn’t feature Franky whining about his epilepsy. Instead we see just how far he’ll go in order to get a result. Convinced that the shooting has a drug connection, he infiltrates a gang of low-lifes. First he shares their drugs and then he asks to buy a gun (because, he says, he wants to shoot a copper). By acting alone and without backup he’s taking an incredible risk – this seems to demonstrate he’s got something of a death-wish. He’s remarkably convincing as an unstable psychopath ….
Nobody wins in this one since the shooters can be said to have been just as much victims as Anna was. Moments of levity are therefore few, although the spat between Marty and Ron is good fun (Ron’s aggrieved that Marty let slip about his philandering ways to the others).
The episode ends with Franky being confronted by Victor (Gary Sefton). Victor’s a drug dealer as well as Franky’s informant. Although Victor seems upset and a little unstable, Franky’s the sort of person you always imagine will win through, so when he’s stabbed and collapses in a large pool of his own blood on the office floor it’s a considerable jolt.
That the action then switches to the pub, where we see the others unwinding after another long day. We’ve seen during the course of the first series how Franky has isolated himself from the others – declining to join them in the pub or for bowling nights on previous occasions – so the fact he dies alone whilst the others are together is clearly an intentional bitter irony.