All Star Comedy Carnival – 1972. Part One

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Airing for five years from the late sixties, All Star Comedy Carnival was ITV’s answer to the long-running BBC institution that was Christmas Night With The Stars.  Like its BBC counterpart, not all of All Star Comedy Carnival has survived intact, but at least the complete shows from 1972 and 1973 do exist.

“Mixed bag” is a far summation.  There’s some comedy greats and then there’s Love Thy Neighbour ….

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Love Thy Neighbour

Love Thy Neighbour is one of those programmes that seems to ebb in and out of fashion.  Incredibly popular in the early seventies, by the eighties it had deeply fallen out of favour.  But whilst you shouldn’t expect a re-run on ITV3 any time soon, over the last few decades it’s begun to attract the odd kind comment – arguing that it’s not just a series of (ahem) off-colour jokes, but that there’s also an element of satire – as with Till Death.

Eddie (Jack Smethurst) tells next-door neighbour Barbie (Nina Baden-Semper) that he wishes to give her husband, Bill (Rudolph Walker), the compliments of the season (“peace on earth and goodwill to all men. Even Sambos”).  Eddie is quite happy to extend this goodwill to the wives too, which he demonstrates when he forcibly kisses Barbie under the mistletoe.  That she’s wearing the tiniest pair of hotpants imaginable suggests that the disdain Eddie shows towards Nig Nogs doesn’t extend to the attractive female ones ….

As might be expected, Bill storms in to find his wife being pawed by Eddie and then Eddie’s wife, Joan (Kate Williams), also appears.  What happens next?  Yep, Bill and Joan have a snog under the mistletoe.

To be generous, you could argue that Eddie and Bill are always equally as combative as each other and that, deep down, they have a spark of friendship.  This can be seen when Eddie (after losing the Christmas turkey on his way home from the pub) and Joan are invited round to share Christmas dinner with Bill and Barbie.

But the joke, such as it is, to close this segment is that Bill and Barbie have invited a fair few others – all of them black – which causes Eddie to visibly flinch at the thought of spending time in a room with them.  “I’m dreaming of a black Christmas”.

At the very least Love Thy Neighbour is a fascinating time capsule of the period, but I don’t think I’m going to be shelling out for the boxset anytime soon.

Jimmy Tarbuck, resplendent in an orange jacket, is our ebullient host – on hand to link all the segments. He’s also present to receive visitors, such as Rod Hull and Emu.  Jimmy has the perfect face for some loving attention from Emu and luckily the bird doesn’t let us down.

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Nearest and Dearest

It’s Christmas time and brother and sister Eli and Nellie Pledge (Jimmy Jewell and Hylda Baker) are in a reminiscent mood.  As Nellie mentions that she gets filled with neuralgia (nostalgia) thinking about Christmases past, we’re transported back in time via the age-old trick of making the camera go in and out of focus.  Hylda Baker was a true one-off and therefore sight of her dressed as a young girl is worth the price of admission alone (the reaction of the studio audience makes it plain that they weren’t in on the gag).  Jimmy Jewell, resplendent in a sailor suit, and Madge Hindle (Lily) and Edward Main (Walter) also make for the most ridiculously unconvincing children imaginable.  Which is the point of the skit I guess.

Given that Baker and Jewel reputably loathed the sight of each other, it gives the combative relationship between Nellie and Eli something of an edge.

Once we’ve negotiated this part of the show, Jimmy Tarbuck introduces Moira Anderson singing Silver Bells.  It’s a slightly upmarket sort of song, given that the tone of most of the comedy segments are fairly low brow.  That there’s a full orchestra in the studio suggests that All Star Comedy Carnival had a more than generous budget.

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Father Dear Father

Father Dear Father may have had a fairly thin premise – Patrick Glover (Patrick Cargill) finds his life endlessly complicated thanks to his two grown-up daughters Anna and Karen (Natasha Pyne and Ann Holloway) – but it’s still very agreeable.  Partly this is because of Cargill’s affable performance, although the attractiveness of Pyne and Holloway is another obvious plus (for this viewer at least).  So whilst Cargill bumbles and pratfalls about (here he manages to trip on a roller skate and fall into a lake whilst pulling the most incredible faces throughout), the girls provide an oasis of beauty.  The plot – Patrick’s dog has gone missing – shouldn’t really detain us for too long.

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Thirty Minutes Worth

Harry is the increasingly disgruntled butler of a Lord and Lady.  Fuming because he hasn’t been given Christmas day off, he buttles between each end of their very long dining table, giving them increasingly garbled messages from the other whilst all the time helping himself to their port and brandy.  You’ve got to love a bit of Harry Worth.  His comic stumbles and general air of befuddlement isn’t subtle, but then the All Star Comedy Carnival isn’t really the place to find subtle.  It’s also a bonus to see the peerless William Mervyn playing the Lord.

Now we’ve reached the mid-way point it seems like the right time to take a break.  Tomorrow I’ll be tackling the remainder – Christmas With Wogan, On The Buses, Sez Lez and The Fenn Street Gang whilst various guests – including David Nixon – pop in to join Jimmy.

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