Wing Commander Kelso (Andrew Robertson) is required back in Britain as soon as possible. But it won’t be easy to move him – as he sustained severe facial burns when his plane crashed. There are ways though, but will Kelso agree?
The second series of Secret Army has already suffered from some melodramatic music cues, but there’s several in today’s episode which take the biscuit (especially the one during the opening few minutes). Rather than helping to create tension, their over the top nature somewhat dissipates the mood.
Although Albert briefly escapes from the Candide to meet Kelso, he otherwise remains pretty much rooted to the spot. But Hepton does have some decent scenes today, which makes a nice change (he’s been somewhat underused so far during this second series). Albert’s love for the Candide is displayed after someone drops a bomb into the middle of the dining room (luckily it doesn’t go off). More than helping the airmen to escape, more than his relationship with Monique, you do get the sense that Albert’s first love is the Candide – mainly because of the money it makes him.
Albert’s close fraternisation with the likes of Kessler hasn’t gone unnoticed, hence the bomb. We never discover if it was a dummy or whether it had a faulty fuse. But in story terms that doesn’t really matter as it serves to shake everyone up – especially Madeline, who is feeling isolated during Kessler’s absence. She latches onto Monique and the pair strike up a hesitant friendship – encouraged by Albert (who can see the benefits) and despised by Max (who has no love for collaborators).
One running theme throughout the episode is Madeline’s fur coat, which she gives to Monique. She decides to wear it when taking Kelso down the line and gifts it to him as a parting present (he later throws it away). Amazingly it’s found by a German soldier and Brandt mentions it to Kessler. Could this be a clue that leads Kessler a step closer to discovering that the Candide is the headquarters of Lifeline? Presumably not, but you never know ….
Andrew Robertson gives a solid performance as Kelso. Despite notching up over fifty flying missions, Kelso eschews the aura of a hero – maintaining that he’s simply been lucky. His abrasive nature means that initially he clashes with Monique, but in a not terribly surprising plot twist they part on much better terms.
Things get a little odd mid way through the episode when Kelso decides, for no good reason, to hop off the train he and Natalie are travelling on. Partly this seems to have been done so that Kelso (a locomotive expert) can pinch another train and go chugging down the track. Commandeering a steam engine is not exactly the thing do to if you’re trying to keep a low profile.
Later safely ensconced with Sophie and Madeline (two old ladies who we’ve met before), Kelso is then introduced to Louis-Victor Condé (David King). An experienced actor, he uses his knowledge to instruct Kelso how to masquerade as a woman (as a female he’ll be able to use heavy make up which will disguise his scars). The scene where Louis-Victor fashions a tablecloth into a baby and proceeds to demonstrate the art of the actor is another of those odd moments. It’s certainly an unusual scene for SA.
Francois pops up again. He continues to be Lifeline’s least interesting member as either he’s fretting that Natalie’s in danger or he’s embracing her heartily once she returns. Max doesn’t have a great deal to do, but Stephen Yardley’s aura of simmering danger is put to good use – particularly when Albert is carted off by the Gestapo. Albert returns later – shaken, but unharmed – although Max continues to brood.
Angela Richards probably comes off best, script wise. Not only does she share a fascinating two-hander with Hazel McBride which helps to bulk up both their characters, but later there’s a handful of strong scenes between Monique and Kelso (who by now is thawing somewhat).
Little Old Lady lacks many moments of real tension, but David Crane’s script is a good character piece and, apart from a few minor plot niggles, works well.