Small Tune On a Penny Wassail opens with Wally – still dressed in his pyjama top – briefly tasting a moment of freedom before being dragged back into the house by Nora to continue his festive obligations. A reflective Compo, observing this domestic fracas, sighs before walking down the deserted streets. This is an early sign that Roy Clarke won’t be bashing you over the head with false Christmas sentiment – that’s simply not his way.
A moment of levity then occurs when Compo spies a lad with a new skateboard. Ever the child at heart, he can’t resist having a go (as you might expect, he falls off rather abruptly). This isn’t a big set-piece moment, but it does set things up for the episode climax.
The others are also given their solo moments. Foggy, after attending church, manages to accidentally hit the vicar in a very delicate place with his stick. It’s a typical Foggy moment – for a brief moment he’s given an air of authority and respectability, which is then abruptly punctured.
Meanwhile Clegg, never one to be overflowing with Christmas cheer, has nevertheless stirred himself and wandered off to the phonebox to ring up his friend, Gordon (Larry Noble). Gordon’s not in the mood to receive yuletide greetings though, due to the fact a fire’s broken out in his shed. What caused the fire remains an unresolved mystery ….
Eventually all three meet up at Clegg’s house for Christmas dinner. Compo’s assistance in the kitchen is clearly not called for, so he stalks around the house like a bored child whilst the other two reflect on the time of the year. Clegg: “Christmas comes but once a year, it just seems longer.”
The cynical Clegg gets most of the best lines during these scenes. “I gave up smoking so that I could live longer. It’s at times like this you wonder if you’re doing the right thing”. At least the meal prepared by Clegg looks like it was worth eating – which almost makes up for the air of melancholy that’s descended over them. Although when we drop in on some conventional family units later on it’s plain they’re not having a particularly sparkling time either.
Foggy suggests they pop down the hospital to visit poor old Edgar (Teddy Turner), who there all on his own. But of course it’s revealed that Edgar’s got everything he could wish for – all the food he can eat and plenty of attention from the nurses. Compo acidly mentions later that even the man dying in the next ward is having a better time than they are.
We’re then given a little vignette showing Ivy and Sid at home in their kitchen. They’re busy feeding the hordes of (unseen) relatives who have descended on them – Ivy with an air of duty, Sid with an ever increasing sense of exasperation. There’s a matching moment with Nora and Wally, where Wally is given a killer putdown. “Why don’t you go sit down, Nora? You’ve been on your mouth all day”.
Back at Clegg’s house it’s finally time for the presents. It’s always seemed slightly odd to me that Clegg and Foggy wrapped their presents for Compo in the same type of wrapping paper (plus their presents to each other were also in identical paper, albeit different from Compo’s). If you see what I mean. It’s probably easier to understand when you watch the scene but there’s something not quite right there.
They all seem quite chuffed with their gifts, as does Ivy when she receives an unexpected present from Sid. Sid and Ivy’s café based warfare can be vicious at times but there’s clearly still a frisson of love between them, even if it’s buried very deep. Her look of pleasure at the black negligee gifted to her by her husband suggests that his luck might be in later. Or not, depending on your point of view ….
We’re heading into the era when stunts (and stunt doubles) would dominate. This episode has been much more reflective and downbeat, but I suppose you can’t blame Roy Clarke for wanting to end things on a high – so an irresistible force (Compo on a skateboard) manages to navigate his way through a seemingly immovable object (the Dodworth Colliery Brass Band).
I’ve still yet to work out how the episode title ties back to the episode itself though. Answers on a postcard please.
2 thoughts on “Last of the Summer Wine – Small Tune On a Penny Wassail (26th December 1978)”
Answers on a postcard:
“Wassailing” is an archaic Anglo Saxon term, meaning a group of festive merrymakers going from one house to another, wassail bowl in hand, singing Christmas carols and spreading good cheer.
The reference to a ‘penny wassail’ is a joke, based on the common phrase ‘tune on a penny whistle’.
In Yorkshire, the strong local accent has the effect that the words ‘penny whistle’ are pronounced ‘penny wassail’. Although the joke can’t really be appreciated outside of Yorkshire, it is nonetheless simply a play on words, arising from that dialect pronunciation, which corrupts the term ‘penny whistle’; and from the fact that the result sounds like ‘wassail’, a traditional Christmas activity in the olden days.
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Thanks! I know what a penny whistle is and I know what wassailing is, but I can’t see how either are reflected in the events of the episode (which is conspicuous by its lack of both penny whistles and wassailing).