Poor hapless Francois (Nigel Williams) bites the dust ….
Hardly the most rounded or interesting character, at least he’s given a starring role in his final episode.
The fact he and Natalie are especially lovey-dovey today is an early hint that something rather nasty will happen to him. This bad feeling is then compounded by his refusal to seek the advice of Albert – he’s keen to go it alone and speak to the Communists, who have located two British airmen (even though Francois is warned that they play by their own barsh rules and don’t work well with outsiders).
Max and the Communist leader, Phillipe (Michael Graham Cox), have been planning the takeover of Lifeline, with Albert and Monique to be liquidated. So the cheery Francois turning up on their doorstep is the last thing they need.
Max’s next move (anonymously informing on Francois to Kessler) carries a certain punch, especially since earlier in the episode they had seemed to be on friendly terms (Francois giving Max some materials which would prove more than useful in his forging activities). Although by now it’s plain that Max is more than capable of appearing affable on the surface whilst remaining cold and calculating underneath.
The two airmen holed up with the Communists remain shadowy characters. Much more time is spent with another pair – Tommy Miller (John Flanagan) and Joseph Walden (Leonard Preston) – who have been wandering the countryside looking for help.
Having been turned away from a church by a frightened priest, they land on their feet when an affable baker called Victor Herve (Duncan Lamont) takes them under his wing. Lamont gives, as you’d expect, an excellent guest turn in what would turn out to be one of his final television credits.
Anyone who has worked their through the series up to this point has to marvel at the way so many British airmen manage to latch onto someone who has direct contact to Lifeline. I know it’s a bit of a stretch, but you just have to accept it.
With Miller and Walden being straightforward, affable chaps there’s not a great deal of drama to be found in their part of the story (although we’re left hanging for a short while before it’s finally confirmed whether Victor is a friend or foe – the casting of Lamont was a canny move in this respect, as he was equally adept at playing both).
As has been his lot for most of series two, Bernard Hepton doesn’t have a great deal to do as Albert remains firmly stuck inside the Candide and somewhat buffeted along by events outside. This works in story terms though – Albert’s complacency and inactivity convinces Max that takIng control of Lifeline will be easy.
Francois gets a dramatic death – shot on a railway platform whilst a helpless Natalie looks on in distress (it’s a peach of a reaction moment for Juliet Hammond-Hill). The third of four SA scripts by Robert Barr, A Matter of Life and Death never drags, even if the outcome of events seems inevitable from early on.
But it’s what’s going to happen now with Max and Lifeline that’s the more intriguing question.