Kevin (Merton) and Joyce (Gwyneth Strong) are saying goodbye to their old house. Kevin can’t wait to see the back of it, but Joyce just can’t let go. This is something of a problem, because the new occupants are due any minute. And then Joyce locks herself in the toilet and refuses to come out ….
Don’t Dilly Dally on the Way was adapted from an episode of The Galton & Simpson Comedy, broadcast in 1969. If the release date doesn’t slip again, the series will be out shortly from Network, so it’ll be interesting to see how Jimmy Edwards and Pat Coombs fared in the same roles.
This is an odd little tale. By 1969 many of Galton & Simpson’s best days were behind them, although they weren’t a totally spent force – some excellent episodes of Steptoe still lay ahead (along with some pretty average ones it must be said). The premise here feels rather unnatural (as does the sight of Kevin returning to the house, sleeping bag in hand, quite prepared to sleep outside the bathroom door – oblivious to the fact that the newlyweds have just moved in!)
One of the biggest laughs from the studio audience comes earlier on when Kevin tells Joyce that if she doesn’t get out soon then “that four-eyed twit and his flat-chested wife will be here”. Matthew Ashforde and Emma Cunniffe (David Jason and Jacki Piper in the original) as Gordon and Avril do the best with the material they have, but it’s fairly thin.
Sam Kelly and Anne Reid fare rather better as Gordon’s parents. They’ve come round to inspect the house and Gordon’s father is far from impressed – woodworm, rising damp and a woman locked in the toilet. It’s not the ideal way to spend your first day of married life ….
Merton’s less central in this one than in some of the other episodes. Understandable, since the Hancock episodes were built around the central performance of Tony Hancock, whilst Don’t Dilly Dally is more of an ensemble piece. He has some choice moments though, such as when he invites himself to join Gordon, Avril and Gordon’s parents for dinner!
The final punchline (the location of Kevin and Joyce’s new house) is a gag that falls a little flat. This is probably because, like the central premise, it doesn’t feel terribly plausible. You can’t fault the cast, but you can fault the script. Don’t Dilly Dally on the Way is something of a lesser pleasure from the Galton & Simpson catalogue.