The aptly named Con Richards (John Abineri) and a young woman called Mary (Maggie Wells) are flooding the district with forged one pound notes. As most of the scenes which feature them are in public places we don’t get much of a feel for their real characters. Con’s ever-changing accent is an entertaining touch though.
Paper Chase is more concerned with how this forged money impacts the recipients. The market trader Fisher (David Swift) and his wife (Paula Jacobs) are the first to be conned. Both are Jewish (very, very Jewish in fact – Mrs Fisher reacts with a heartfelt “oy vey” once she realises they’ve been passed dud notes).
They don’t twig for a while that the charming couple who bought a stack of clothes from them were dodgy (surprising, since I was instantly struck by Mary’s obvious wig). So their credulity is a little hard to swallow, especially since Snow has already been around to tip them off about the forged notes.
Swift (sporting an impressive pair of mutton-chop sideburns) is quite entertaining as a basically honest man who nevertheless attempts to later pass off the forgeries as genuine (he’s experienced enough to know that the chances of recovering his losses are slim to zero).
Poor Mrs Baker (Valerie Lush), the proprietor of a small corner shop, is also something of an innocent – but her lack of knowledge seems to be a little more credible. For a small business, the loss of ten pounds is clearly a real blow. But even if it’s more than likely that she’ll end the story still out of pocket, at least she has the satisfaction of knowing she was the one who put the dogged Evans onto Con’s trail.
Whilst Fisher attempts a touch of fraud to resolve his loss and Mrs Baker simply stoically accepts it, our third victim – the greyhound track manager Clegg (Richard Hampton) – laughs it off as a matter of no concern (he’s insured). By the time that the episode gets to the fourth conned person (a hotel receptionist) clearly time is tight as we never learn how they feel about it.
Running alongside this theme is a subplot concerning an imminent raid on a cash-heavy business. It’s assumed to be the greyhound track, although no robbery occurs by the time the episode concludes. Watt’s picture of the gang (wielding pickaxes and knives) is quite vivid, although it does bring to mind a more 1950’s vision of crime (no guns are mentioned).
Paper Chase has several incidental pleasures. Alan Bennion, appearing as a bank manager, is one. Although he racked up a fair number of credits over the years, it’s his Ice Lord appearances in Doctor Who which I instantly think of whenever I hear his name. So it’s nice to see him for once without his face being covered in latex.
The location work at the outdoor market is very evocative. The film crew turned up on a regular market day, which makes me wonder whether some of the old biddies who crowd around our regulars were just ordinary members of the public, rather than extras. A few are quite eye-catching.
There’s also a spot of character development for Harry Hawkins. Although he’s been a regular since the Softly Softly days, Hawkins has rarely made much of an impression (compared to the likes of Snow and Evans he seems quite stolid and far less quirky). But today he gets to cross swords with Watt (Hawkins likes to be out and about whilst Watt believes he should be more desk bound) and he also entertainingly interacts with PC Knowles, now firmly settled into the role of the office administrator.
Small touches maybe, but every little helps.