Like Roger Parkes’ first script for the series (Voice from the Past) Headhunter is as mad as a box of frogs … and I love it.
The plot doesn’t really make any sense. Why has Muller spent his life creating a homicidal android intent on dominating all humanoid life? It also seems a little remiss that the android is only restrained when he’s wearing the correct head (there’s shades of Worzel Gummidge here). And since Tarrant was in a rush, I’ll let him off the fact that he didn’t seem to notice the corpse under the table was missing his head.
Android Muller as played by John Westbrook is a hoot. Westbrook isn’t on-screen for too long but he’s certainly memorable (a small performance it isn’t). Android Muller as played by Nick Joseph is equally as entertaining – as Joseph’s android is headless, he compensates with the most over-expressive hand acting you’re ever likely to see. Oh, and where’s his voice coming from? Hmm, never mind.
Lynda Bellingham has a decent amount of screentime but not a very interesting character to play, alas. But at least Vena gets a good death scene, crushed to death by (she thinks) her husband whilst the others look on with a varying selection of emotions. The fatal bear-hug is clearly Android Muller’s favourite way of despatching people.
As for the regulars, Avon smiles a few times but otherwise he’s in full brooding mode. This is prime S4 Darrow – whether that’s a good or bad thing depends on how much you enjoy S4 Darrow of course. Tarrant and Vila make for a good double-act, Dayna doesn’t really do much that’s memorable whilst Soolin’s character continues to grow as she’s given some decent lines once again.
Soolin’s parting shot to a seductive Orac, promising to fulfil her every desire (“you wouldn’t know where to start”) is delivered in a nicely deadpan way. I also like surly Slave, a bit more of that would have been welcome.
The sight of the headless android stomping very slowly around the base never fails to raise a smile. Whatever else Headhunter is, it’s not dull.