“I know a land beyond the heart of time. The sun never comes there. No moon ever shines. And man, a grain of sand, nameless and lost, blows with the dust”.
This monologue is an early warning that, as befits a Tanith Lee script, this will be an unusual episode. But unlike Sarcophagus we don’t get an oblique opening – instead the first five minutes are spent with Servalan and her mismatched crew.
Investigator Reeve (Stephen Yardley) is the alpha-male of the party. Reeve, hands on hips, appears to be brim-full of testosterone (although maybe the sand felt otherwise since his services were fairly quickly dispensed with). It’s hard to maintain any credibility when you’re dressed in silver, but Yardley does his best.
The episode is really Servalan’s show – it’s easily the story which delves deepest into her personal life (even though certain threads remain a little nebulous – if Don Keller was that important to her, why did she wait so long before travelling to Virn to discover his fate?).
Minor quibbles apart, there’s so much to enjoy in Jacqueline Pearce’s performance – especially the small non-verbal moments of distress, highly uncharacteristic for the former Supreme Commander. After a run of stories in which she seems to have been crowbarred into the action somewhat, Sarcophagus makes for a pleasant change.
The opening modelwork shots of Virn are very nice and the film work on the planet’s surface is also decent (just a pity that a few studio shots are dropped in, as these are inevitably jarring).
There are plenty of good dialogue moments. The way Servalan rebuilt her life after Don Keller, for one. “He left me. I grew up. Power became my lover. Power is like a drug. It is beautiful. Shining. I could destroy a planet by pressing a button”.
Orac’s bizarre declaration of love and Avon’s rejoinder to Soolin’s comment that Vila’s pulse is weak (“well that should go very nicely with the rest of him”) are a few other highlights. I also like Avon’s cock of the walk strutting and the reaction of Dayna and Soolin when they realise what they’ve been saved for ….
The obvious move would have been to lock Avon and Servalan together. I’m glad they resisted the obvious since it was about time Tarrant was given something to do. Steven Pacey holds his own against Jacqueline Pearce and the scenes between them flow nicely.
I assume it was Chris Boucher who dropped in the explanation about how Servalan escaped from the Liberator (“The teleport. A malfunction. A power surge. Suddenly I was back on a Federation world”). This doesn’t make much sense – surely the only planet close to the Liberator was Terminal, and she didn’t end up there. Or had the dying Liberator suddenly developed the power to teleport somebody over a vast distance?
Although not as memorable as Sarcophagus, Sand is still several cuts above the B7 norm.