Three Interpol agents commit suicide in Paris. A strange coincidence or was there outside interference? No surprises that it’s the latter and soon the Champions are heading out to Rome in order to confront Mafia kingpin Del Marco (Edward Brayshaw) …
I do appreciate the spot of local colour we see during the second of the three deaths. This unfortunate Interpol chap is suddenly struck with an uncontrollable urge to jump from a fast-moving train – which he does whilst a baguette-chomping young lady looks on in horror. Nothing says France like a nice baguette.
Once again, The Champions comes up trumps with its guest stars. Edward Brayshaw may forever be associated with Rentaghost but there were plenty of other strings to his bow. For example, I’ve always loved his loopy turn in Moonbase 3, a series which I enjoy with a slightly unhealthy passion.
Brayshaw oozes oily villainy, easily suggesting that underneath Del Marco’s suave exterior something rather nasty lurks. And after spending the last few episodes doing very little, it’s nice to see Sharron back in the thick of the action. After receving a new hairdo she’s sent to seduce Del Marco (this does rather reinforce the notion that Sharron’s prime function is decorative though).
But at least it means that all three regulars are given an equal share of the action. Sharron vamping it up in the casino (where she meets Del Marco) is the highlight for me, although Craig’s entertaining overacting (for a few minutes he’s the dead spit of Jimmy Cagney) is also a wonder to behold.
Del Marco invites Sharron back to his apartment for a spot of champagne and …. well you know. But their canoodling is interrupted by Craig lurking outside (this is all part of their masterplan). Our heroes reason that if one of them can upset Del Marco, he’ll unleash his suicide trick on them.
I can see one or two flaws here. What happens if Del Marco decides that a bullet would be quicker? You also have to question the wisdom of Del Marco using his suicide drug on so many people ….
Richard doesn’t get much of a comedy turn this time round, but he does get to indulge in a spot of investigative questioning. Indeed all three do this early in the episode, which gives the impression that the episode could have slotted quite easily into a number of other ITC series.
John Bailey, as Umberto, adds a little touch of class even if his Italian accent (like Brayshaw’s) isn’t the most convincing you’ll ever hear.
Del Marco is an unforgiving boss. After Craig fails to succumb to the suicide drug, the Don has no compunction in killing Umberto (its creator). That seems a tad harsh given all the good work Umberto had done for him. Still, it means that Umberto’s dying act proves to Del Marco in a rather permanent way that the drugs still work. I love a bit of poetic justice.
Is it just me, or does the backlot used for Paris look very much like the Rome one? I know they were the same, but surely a spot of redressing could have made this less obvious.
A Case of Lemmings isn’t the most complex of episodes, but it slips by quite agreeably and is worth a score of three out of five.