Back to April 1980 (5th April 1980)

I’ll be sticking with BBC1 today. First there’s Wonder Woman, with the series three episode The Starships are Coming. An everyday tale of alien invasion (or is it?). By this point the show was beginning to run out of steam, but this is a decent one – very silly of course, but that’s the appeal of WW.

A sharp change of pace next, for All Creatures Great & Small. Big Steps and Little ‘Uns is a key episode – the final episode of series three (which at the time seemed to spell the end of the series) it ends on a sombre note as James and Siegfried, with WW2 looming, both face the prospect of leaving the security of the Dales for an unknown future. This is obviously the cue for a series of emotional farewells which the regulars play pitch-perfectly.

I’ll round off the evening with a double dose of Dallas, which sees Jock stands trial. My Dallas rewatch has somewhat run aground during the last year, so possibly dipping in here might reignite my enthusiasm to pick it up again.

On this day (8th January)

1937: The Removals Person, the first episode of Six Dates With Barker, was broadcast on ITV in 1971.

Although Six Dates With Barker doesn’t look to have been set up as a breeding ground for subsequent television series or film projects, three episodes did go on to have a life outside the series.

Spike Milligan’s The Phantom Raspberry Blower of Old London Town was revised and expanded for The Two Ronnies, The Odd Job by Bernard McKenna was developed into a film (with David Jason reprising his role and Graham Chapman replacing Ronnie Barker) and The Removals Person by Hugh Leonard was rehashed in 1988 by Ronnie Barker as Clarence.

A Land Fit for Heroes and Idiots, the first episode of When The Boat Comes In, was broadcast on BBC1 in 1976.

Created by James Mitchell (and as far removed from Callan as you could imagine) When The Boat Comes In is one of those period programmes that’s aged very well.  Possibly series four (which aired in 1981, some three years after the series had apparently come to a conclusion) doesn’t quite match the earlier runs, but overall my impression is that it was always pretty consistent. Another one that I think I’ll add to the 2022 rewatch pile.

Horse Sense, the first episode of All Creatures Great and Small, was broadcast on BBC1 in 1978.

Perfect Sunday evening viewing (even though it began on Saturdays) this first television incarnation of All Creatures was as well cast as you could have possibly hoped for. It’s been a while since I’ve seen them all, so I’m tempted to consider a rewatch – although considering it’s only the 7th of January and I’ve already got a tottering rewatch pile, maybe I’ll hold off for a while ….

Hail the Conquering Hero, the first episode of Shine On Harvey Moon, was broadcast on ITV in 1982.

Something of a neglected gem, Shine On Harvey Moon was a series which featured a fine ensemble cast headed by Kenneth Cranham as Harvey.  Nicky Henson made a decent fist of the role when he replaced Cranham in the 1990’s revival, but he never displayed the same sparkle that Cranham always had.

The immediate post WW2 setting is an interesting one – a Britain of shortages and economies provides plenty of scope for both drama and comedy. In some ways this opening episode has a feel of When The Boat Comes In‘s debut, albeit with a much lighter tone.

It’s a pity that the DVD release of the early series was very comprised – originally airing in 25 minute episodes, they were re-edited into 50 minute form for the DVD release (losing large chunks of various episodes along the way).

A decent DVD re-release or another television rescreening (it turned up on the Yesterday channel a while back) would be very welcome.

The Adventure of the Clapham Cook, the first episode of Agatha Christie’s Poirot, was broadcast on ITV in 1989.

It’s a funny thing, but back in 1989 I was impatient for the series to start tackling the novels and found these early adaptations of the short stories rather flimsy. Thirty years on, my opinion’s totally switched around (mainly because some of the tv versions of key novels – The Murder of Roger Ackroyd with the chase ending, say – rather tried my patience).

Many of the stories adapted for the first few series were originally published in the 1920’s in magazine form and were fairly brisk in terms of word count. That means that the adaptors have plenty of room to add incidental colour (mostly this works pretty well).

David Suchet is, of course, excellent as Poirot. In 1989 he might have been a little too young (and a little too slim, even with padding) but in all other respects he had the character of the little Belgian dandy nailed right from the start.

All Memories Great and Small – Expanded Edition by Oliver Crocker (Book Review)

With one notable exception (Doctor Who) the production histories of many British television programmes aren’t terribly well documented. There are exceptions of course (the sterling work carried out by Andrew Pixley for a variety of series, David Brunt’s painstaking Z Cars tomes and recent books about programmes as diverse as Star Cops and The Brothers have all been more than welcome).

Until the original edition of All Memories Great and Small in 2016, the BBC version of All Creatures was one of those neglected series, but Oliver Crocker’s wonderfully exhaustive book certainly rectified that. Now reissued with additional interviews and fascinating production information for 35 of the series’ 90 episodes, it’s better than ever.

Since the original publication, several of the interviewees (such as Bill Sellars and Robert Hardy) have sadly passed away, which makes the book even more of a valuable resource as there’s no substitute for first hand recollections. The roster of those who agreed to be interviewed is impressive – not only key regulars such as Christopher Timothy, Robert Hardy, Carol Drinkwater and Peter Davison, but also a plethora of guest stars and behind the scenes crew who are able to share many stories about the series’ production.

The icing on this particularly succulent cake has to be a slew of wonderful production photographs with the odd studio floor plan thrown in for good measure,

The format of All Memories Great And Small is straightforward and effective. Each episode (from Horse Sense in 1978 to the final Christmas Special in 1990) is given its own chapter. All have reminiscences from a variety of contributors (some specific to that episode, some more general) whilst selected episodes also contain production info (handy if you’re looking to pinpoint specific locations used, for example).

Clocking in at just over 400 pages, it’s plain that this book was a real labour of love. If you’ve got the original edition then it’s still worth an upgrade for the additional material. But if you’ve yet to buy it and have any interest in the BBC series, then All Memories Great and Small is an essential purchase. An absolute treasure trove of a resource, I know that it’ll be something I’ll return to again and again in the future.

All Memories Great and Small can be ordered directly from Devonfire Books via this link or from them via this Amazon link.