Softly Softly: Task Force – On The Third Day (18th October 1972)

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On The Third Day juggles two separate Barlow plotlines. In the first, he’s targeted by Timothy Redway (Anthony Heaton) a violent criminal with a grudge and in the second he undergoes a grilling at an intensive promotion board.

The former could easily have been the major theme, but instead it’s very much secondary – even though the resolution of this storyline provides the episode with its climax.  It does serve to place Barlow under pressure though (something which maybe later has a knock on effect at the board).

What’s especially interesting is that in the previous episode Mrs Barlow was killed off-screen in a road accident, so if a pretext had been required to explain why Barlow was even more prickly than usual, surely that would have sufficed.  As it is, the death of Mrs Barlow seems slightly puzzling in plot terms – it does allow us to see a brief softening of Barlow’s character, but that’s about all (although maybe its function was to highlight just how career driven Barlow is – the widowed man seems hardly different from the married one).

Still, we get to see Barlow at home, pottering about in the kitchen (it’s rather orange). Given that his kitchen décor is rather horrid in places, possibly Redway did him a favour by attempting to burn the house down ….

No surprises that the fire largely occurs off-screen. Big action set pieces were outside of the series’ budget.

By far the most interesting part of the episode occurs when Barlow travels down to Eastbourne. There, along with a group of brother officers, he undergoes a series of tests, exams and interviews. Three heavyweight actors – Richard Vernon, Patrick O’Connell and John Arnatt – are the ones in charge, which helps to make these scenes fly.

The three-hander between Barlow, Asst. Chief Constable Morton (O’Connell) and Chief Constable Daniels (Arnatt) is a cracking scene.  With Morton playing bad cop and Daniels good, Barlow’s character is slowly unpicked.  But Barlow more than holds his own, even if his distaste for the some parts of this procedure is made clear.

Barlow’s one-on-one meeting with Sir Ralph Townley (Vernon) looks set to develop along similarly entertaining lines, but alas it’s cut short by a gun-toting Redway. All those police around the place and Redway was still able to get close enough to the window in order to loose off a few shots. Somebody should be for the high jump.

Knowing that Barlow’s time with the series was drawing to a close, I wondered at first if On The Third Day was designed as an exit point. But no, Barlow’s promotion attempt is unsuccessful and so he seems fated to remain at Thamesford for the foreseeable future.  But that’s not the case, the clock is definitely ticking ….

A Barlow-heavy episode is always going to get a thumbs up from me (Stratford Johns doesn’t disappoint of course).  And with Vernon, O’Connell and Arnatt plus Donald Burton as one of Barlow’s fellow interviewees it’s plain this isn’t an episode short on decent guest stars. 

The featured regulars are also gifted some good scenes – Walter Gotell never has that much to do, but he always maximises every line (even when he’s being pleasant, there’s something rather unsettling about Chief Constable Cullen).  Meanwhile, Evans and Knowles are turning into a very decent double-act.

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The Saint – The Arrow of God

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Simon is relaxing in the Bahamas.  It’s an idyllic paradise – or it would be if Floyd Vosper (Anthony Dawson) wasn’t polluting the atmosphere.  Simon explains that he’s the lowest of the low – a gossip columnist who gleefully uses the power of the press to spread embarrasing nuggets of information about the great and good of Bahamian society. When Vosper is brutally murdered at a party held by Herbert Wrexall (Ronald Leigh-Hunt) there’s no shortage of suspects as all of the well-heeled guests – including Simon – had motives for bumping him off ….

A generous helping of stock footage (running to a minute) helps to create the illusion that we’re in Nassau.  Vosper’s slippery personality is then established as a number of people, including Wrexall’s wife Lucy (Elspeth March), line up to give him less than glowing character references.  Simon and Lucy discuss how Vosper is nothing more than a gutter journalist, although it’s ironic that Lucy then admits she always reads his column!

Also ironic is the eventual reveal that all the information he held on Wrexall’s party guests is completly accurate. So whilst they may bemoan his manner and attitude, some of their own behaviour is shown to be rather questionable. Therefore the tensions between Vosper (positioned as an uncouth outsider) and the likes of Wrexall (cultured but slightly impoverished – hence his need of Vosper’s support) plays along class lines. Simon, despite his buccaneer status, has no difficulty in allying himself with Wrexall and the others (in his well-tailored dinner jacket, the Saint is every inch the gentleman).

As we’ve already been primed that Vosper is a bit of a rotter, this means that his eventual arrival carries even more impact.  Anthony Dawson is simply delightful – spitting venom with a smile on his lips, Vosper manages to sow discord wherever he goes.  Moore and Dawson aren’t the only familiar faces from the James Bond films, as Honor Blackman – playing Wrexall’s secretary Pauline Stone – also appears.  The fact that Wrexall and Pauline are conducting a less than clandestine affair is all grist to Vosper’s mill (and provides the story with yet another motive for murder).

If you enjoy watching Simon beating up the ungodly, then The Arrow of God is likely to disappoint.  Simon does offer at one point to give Vosper a spanking, but that doesn’t really count!  But I’ve no complaints as it’s an entertaining murder mystery which features a score of familiar faces.  Apart from those mentioned, John Arnatt is his usual solid self as Major Fanshawe whilst John Carson, browned up as an Indian mystic called Astron, somewhat receives the short end of the stick.  It’s hard not to be reminded of Peter Sellers (“goodness gracious me”) during his scenes.

Other potential suspects include the smoothly handsome tennis player John Herrick (Tony Wright) and the brash American businessman Arthur Gresson (Gordon Tanner).

The Saint retreats a little into the background during the first half of this story.  Until the murder occurs he’s simply one of the house-guests (he gets to cross verbal swords with Vosper a few times, although the honours are about even).   One notable change between Charteris’ original story (part of the collection The Saint on the Spanish Main) and this adaptation relates to the murder weapon.  Here it’s an actual arrow, in the short story Vosper was skewered with a large beach umbrella (which would have been a striking image, but possibly too gory to pass the censors).

Once Vosper’s dead body is discovered, the law – in the form of Major Fanshawe – quickly arrives on the scene and John Arnatt, puffing on his pipe, forms a decent partnership with Roger Moore.  It’s interesting how quickly Simon is able to reposition himself from suspect to police helper – given the Saint’s colourful reputation you might have expected the police to treat him with a little more caution.  Indeed, it doesn’t take long before Simon completely supplants Fanshawe (effectively turning into Hercule Poirot for good measure).

The drawing room denouement – as Simon explains how the murder was committed (and unmasks the murderer for good measure) – is nicely done and tops off a highly entertaining episode.  Four and a half halos out of five.

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H.G. Wells’ Invisible Man – The Big Plot

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When a crashed foreign airliner is found to contain parts which could form an atomic bomb, the authorities fear that further attempts might be made to smuggle parts into the UK.  So Peter Brady is put on the case ….

This is a rum old story and no mistake. Thanks to a very unconvincing piece of stock footage we see Helen Peversham (Barbara Shelley) triumph in a big golf tournament in France. Helen’s heading back to Britain, but by the shifty way her chauffeur – Hanstra (Terence Cooper) – is behaving, it’s obvious that he’s stashed something inside her golf bag.

The authorities have clearly moved at lightning speed since the custom points have now been fitted with Geiger counters, thereby allowing all luggage to be scanned. Hmm, okay then. When MacBane (Edward Hardwicke) checks Helens golf bag the counter goes crazy.  He doesn’t say anything to her, but quickly gets on the phone to Sir Charles (Ewan McDuff) at the Ministry.  Sir Charles then tells Peter that Helen was carrying a canister of Uranium 235. Sorry? How exactly did he work that one out?

Helen’s husband, Lord Larry Peversham (John Arnatt), is an ardent peace campaigner, but he’s been duped into helping the baddies. They’ve told him that atomic bombs will be placed in the capital cities of all the major powers (in order to create an atmosphere of stalemate) but they’re obviously lying and he was remarkably trusting to believe them ….

Rather wonderfully, the bomb is installed in the basement of the Peversham’s house, which allows a shocked Helen to discover it. By now I have to confess that nothing in this loopy story could possibly surprise me.

Barbara Shelly and John Arnatt help to paper over the cracks as does William Squire. He plays Waring, the Peversham’s valet, who – like Hanstra – is also involved in the plot. Is every person on Peversham’s payroll a baddy? It would be a remarkable coincidence if so, but this story has something of an “end of term” feel, so maybe logical thought had taken a slight holiday. Squire’s good fun as the glowering Waring anyway – he was always an actor you could depend upon to provide a spot of top-class villainy.

Brady is, ahem, rather invisible in this one and does little which the authorities couldn’t have done themselves. Which in a way rather sums the series up. By not concentrating on Brady’s invisible plight, the show instead tended to shoehorn him into generic crime/thriller plots where he didn’t always fit.

Few of the stories are valueless – the guest casts are always worth watching at least – although it’s fair comment that the show does sometimes settle into a rut.  But whilst it can be a little samey and predictable, it’s also well-made and entertaining. It’s certainly one that I’ve enjoyed revisiting and no doubt I’ll come back to it again in the future.

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