sykes

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Sykes isn’t necessarily the sort of sitcom you’d imagine would delight in breaking through the fourth wall – but this Christmas edition does just that. We open with Eric and Hattie addressing the viewers at home (which helps to make it plain that this won’t be a run of the mill show) before the action cross-fades back to last year’s Christmas.

We find a distinct lack of Christmas decorations (and indeed cheer). Eric does encourage Hattie to take a swig of wine, but from her expression it’s more of a chore than a pleasure. Corky briefly pops around but doesn’t linger – which leaves Eric to wonder where the magic of Christmas has gone. And indeed, the magic of television ….

This is a good reminder that people complaining about the current state of television isn’t a new phenomenon. Eric hankers for the good old days – a single channel with Muffin the Mule, the potter’s wheel and Sylvia Peters. She’s very much a name from the past, but I daresay the majority of the audience watching at the time would still have fondly remembered her. Even though her television heyday was already twenty years in the past.

Then both Eric and Hattie fall asleep (yes, I know, a little Christmas indulgence is required) and a good fairy (a dressed up Hattie achieved via the wonder of CSO) pops up and grants Eric a wish. He wishes for Sylvia and she duly appears.

If Sykes had been a modern sitcom, then no doubt there would have been plenty of mileage to be found in examining the character of the socially stunted Eric – a man whose one true love was a television favourite from a past decade. This angle isn’t a feature of this seventies sitcom of course, instead we can either view Eric’s awkward attempt to kiss Sylvia as rather charming (or rather creepy, depending on your point of view).

Even when he invites her up to his bedroom you know that no funny business (of a sexual type, anyway) will be going on – despite what Hattie, listening aghast on the other side of the door, might think. The reason for him taking her upstairs is delightfully odd – he’s got a cardboard cut out television set and asks her to sit behind it, reading 1950’s news headlines ….

I like the way that when Sylvia begins by mentioning Mr Callaghan, Eric immediately stops her – he wants the comfort and security generated by names from the past, the unpleasant present isn’t required. The ironic implication that old television can be used as a security blanket isn’t lost on me – although I don’t watch archive tv just for nostalgia purposes (honest). Still, it was amusing to see an archive television programme reach back even further back in time to a previous “golden age”.

Hattie also gets a wish (from a fairy Eric) but her desire for Paul Newman goes awry – Jimmy Edwards in a tennis outfit doesn’t quite cut the mustard for her. The arrival of Edwards delights the studio audience, although he doesn’t have a great deal of screentime.

The conclusion – Sylvia Peters is at a party next door, but Eric refuses to believe it (thereby missing the chance to really meet his heroine) – seems almost as unreal as the rest of the episode. Are we still sleeping or has Eric finally woken up?

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Running during the sixties and seventies, Sykes starred Eric Sykes and Hattie Jacques as identical(!) twins Eric and Hattie. This episode, Christmas Party, was broadcast in December 1975 and finds them enjoying a touch of Christmas hospitality at Corky’s house (the wonderful Deryck Guyler, on fine form as ever).

The way that Eric and Hattie behave to their host highlights how different they are. Eric, once they’ve finished eating, is keen to make their excuses and leave but Hattie, knowing how this would hurt Corky’s feelings, insists they stay for a while. It’s clear that Eric’s more than a little cheesed off and Corky’s relatives don’t help to lighten his mood. There’s the distinctly odd Clara (Sheila Steafel), who never seems to speak, as well as an annoying child, Marlon (Nicholas Drake), who delights in taunting Eric.

Eric Sykes’ writing style has always intrigued me. Although he had a long association with Spike Milligan (Sykes pitched in during the 1950’s with Goon Show scripts to help ease Milligan’s workload) his own shows were always quite conventional in their tone and outlook.

So Sykes, unlike Milligan, was never an experimental comedian, which means that his work can sometimes be predictable, although – as with Christmas Party – there’s often a twist or two. One example of using a well-worn gag can be seen when Marlon offers Eric his telescope. You know (and the studio audience seem clued in as well) that in a minute his eye is going to be covered in black bootpolish – and so it is. Was it the sheer predictability which appealed to Sykes? Although his double-take means that he makes the most of it.

With most of the “action” taking place in Corky’s sitting room, there’s a definite feeling of being trapped – certainly most of the audience would probably sympathise with Eric’s sense of despair (he’d much sooner be back at home with his feet up, rather than listening to Clara plonk away on the piano).

Later, there’s a nice reversal of our expectations after Corky demonstrates his favourite card trick. Eric doesn’t want to play along (he complains that Corky does the same one every year) and explains to Hattie that it’s just so obvious – every card in the deck is the Ace of Spades, so it’s no surprise when Corky’s confederate displays the same card. Although he, yet again, picks the Ace of Spades he mischievously tells Corky that it was the Ten of Hearts, only for Clara to show him the Ten of Hearts! Possibly this was the reason why Sykes had crafted the earlier, obvious, gags like the telescope – that way it makes the unbelievable card reveal more of a surprise.

The quick arrival and departure of Jimmy (Jeremy Gagan), a personable pickpocket, seems to provide an explanation as to where all their personal belongings (watches, wallets, etc) have gone, but once again there’s a twist in the tale.

Christmas Party chugs along very nicely thanks to the talents of Sykes, Jacques, Guyler and the guest cast, especially Steafel.