Following on from the original BBC run during the early sixties and an abortive BBC attempt in the early seventies to revive the series via an unscreened pilot, The Rag Trade finally returned to television during 1977 and 1978 thanks to this LWT series.
Although only Peter Jones (Fenner) and Miriam Karlin (Paddy) reprised their roles from the BBC incarnation, all of the new characters weren’t terribly dissimilar to the old ones – which made sense, as some of the LWT scripts were directly recycled from the BBC originals.
Christopher Beeney, as Tony, stepped easily to the role vacated by Reg Varney whilst Diane Langton (Kathy) had something of the vague air of Carole, Sheila Hancock’s character (although Kathy was much more pneumatically enhanced). One interesting conundrum is whether Anna Karen’s character is meant to be the same Olive from On The Buses. She certain looks and acts like her and since both series were written by Chesney and Wolfe it does seem likely, although it’s never directly confirmed.
The Christmas Rush (tx 24th December 1977) finds a typically harassed Fenner attempting to chivvy the girls (and token male, Tony) into finishing up their latest order. But of course, they’re much more interested in planning for Christmas …..
There’s a few different story threads in this one. The first concerns Fenner’s annual dilemma – what to buy both his wife (played by Rowena Cooper) and Paddy for Christmas? For the last fifteen years he’s abdicated this responsibility by asking Paddy to shop for his wife and his wife to shop for Paddy. That Paddy elects to buy a smart handbag for Mrs Fenner but then pockets the accessories (purse, manicure set) is characteristic. Mrs Fenner seem equally contemptuous about Paddy as she decides to give her one of her old presents (a manicure set!). Fenner reacts in horror, since this was yet another gift selected by Paddy for his wife …..
The set piece comedy moment occurs after Tony bemoans the fact that he’s getting nowhere with Lyn (Gillian Taylforth). His constant attempts to catch her under the mistletoe haven’t gone the way he planned, so Paddy suggests that if he waits until Lyn’s alone in the rest room and then switches out the light, he could embrace her in the dark. Paddy tells him – and the other girls agree – that a woman shouldn’t be asked her consent, in fact quite the reverse (they like to be dominated).
Although Paddy later arms herself with a jug of water – all the better to pour over the randy Tony – it seems that the girls weren’t entirely lying when they suggested that the role of the female was to be submissive (although this is undercut in some of the dialogue). You probably won’t be amazed to learn that things don’t go the way Tony planned since he ends up groping the unfortunate Mrs Fenner instead.
In today’s climate, it’s hard to imagine any scene being deemed less appropriate for broadcast (so don’t expect to see this popping up on ITV3 any time soon). Mrs Fenner might be a little traumatised by her experience, but everybody else laughs it off and even Fenner doesn’t seem too concerned (telling his wife that Tony looks more upset than she does).
Whilst this scene, like most of the episode, is played very broadly, there’s one quiet moment – which closes the show. With one dress ruined from an important order, Fenner needs to knock up a replacement quickly, but all the girls are keen to leave – all except Paddy. Despite their combative relationship, she can’t bring herself to walk out (telling him that he was always a rotten machinist). This is a beautifully played scene by Jones and Karlin which sees Fenner and Paddy share a drink in the peace and quiet of the workshop before she gets on with the job. It certainly leaves us with the suggestion that this isn’t the first time they’ve shared a quiet moment together ….