Fritz Braun (Barker) is a rather incompetent shorthand typist in the employ of Kaiser Wilhelm (Dennis Ramsden). The Kasier dismisses him and then decides that since he knows too many secrets he can’t be allowed to live. But the man he choses for the task, Captain Otto Von Diesel ( Graham Armitage), finds himself unable shoot his brother-in-law in cold blood. This presents a problem, Fritz needs to be dead whilst a sultry female spy called Lola is reportedly dead but it would be better if she was alive. This presents an obvious solution, why doesn’t Fritz drag up as Lola ….
After a couple of good episodes, Lola is a broad and fairly comedy-free farce. Although Barker would put on women’s clothing on numerous occasions during The Two Ronnies, it was never something he felt terribly comfortable with. His Lola is therefore a fairly broad creation (although the script by Ken Hoare and Mike Sharland didn’t really give him many opportunities for subtlety).
This studio-bound story flits between Germany and Paris and if the script is rather indifferent, then it’s possible to derive some enjoyment from the guest cast. Hugh Walters has a few nice moments as a German corporal, Graham Armitage impresses as Von Diesel whilst Freddie Jones plays it very broad (but there’s no other way with this script) as an English officer bewitched by Lola’s charms. The peerless Valentine Dyall has a small role as Lord Kitchener, posing for his famous portrait, complaining that his arm is going to sleep and taking more than a shine to Lola.
This one is best filed under indifferent.