Howards’ Way – Series Six, Episode Twelve

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Charles and Lynne’s relationship continues to blossom – mind you, being in Bermuda (even if it’s largely on business) probably doesn’t hurt. Although Lynne is doing her best to try and distract Charles from paperwork – taking a dip in the ocean whilst Charles rifles through papers aboard his yacht, she does the old “give me a hand up” trick and then pulls him into the water. An astute man like Charles should have spotted that one coming ….

Ken continues to taunt Laura. Now he’s back in the ascendant again he’s merciless about putting the screws on although later we’ll see that Laura is hatching schemes of her own. It’s always good to see these two cross swords, but even more interesting is Ken’s later dinner date with Jan. Fair to say that these two have had a chequered history but despite all they’ve been through, crafty Ken is still able to make Jan laugh. Clearly she’s got a short memory and has totally forgotten that Ken attempted to ruin her last year.

Another of those “what ifs”. Had HW gone to a seventh series, could Ken and Jan have finally got together? It might have happened, and if so would have been rather interesting.

Kate’s on the prowl – attempting to chivvy up Leo (his mind is understandably elsewhere these days). There’s more fun with Kate later as a stuttering Admiral Redfern attempts to express his feelings for her. The fact that Dulcie Gray and Michael Denison were a real life couple adds a little extra spark to this nicely played scene.

There are a few points of interest elsewhere – such as Jack and Vanessa winning a boat race (although it’s only a fairly fleeting plot point) and Jan’s attempts to stabilise the fluctuating fortunes of the House of Howard – but the meat of this episode takes place in Bermuda where the question of William and Thomas rumbles on.

Previously I’d marvelled at Gerald’s attire, this time it’s Orrin who impresses – his golfing clothes includes long shorts and white knee socks. Abby’s also wearing some eye-catching togs, but I need to be strong and pull myself away from this trifling fashion talk in order to concentrate on the plot. Robert Hudson (Bruce Boa) is back and we also see the often-talked about but rarely glimpsed William (Daniel Bortolli).

William’s a lad of a few, if any, words. But given his upbringing it’s no surprise that he’s not exactly a voluble, friendly child. In clothing he’s thoroughly Americanised and although he’s happy for Orrin to give him a piggy-back ride there’s no such happy reunion with Abby. She later tearfully tells Gerald that he didn’t even recognise her, which floats the possibility that even if Abby did regain William, he may not match up to her idealised dreams.

Last time Hudson was on the scene he was very much running the show, but now the power dynamic has shifted with Abby and Orrin (especially Abby) firmly in the driving seat. Abby is the one who offers Charles a settlement of fifty million dollars whilst Orrin symbolically stands directly behind her, rather than by her side. Once again she’s icy and controlled – is this something of an act to intimidate Hudson and Charles or has Abby really crossed over to the dark side? That’s something else that might have been explained and explored in a seventh series.

A few late items of interest. Lynne reveals that she’s pregnant to an overjoyed Charles. Either they’re quick workers or their relationship has been developing off-screen, since it only seems like a few episodes ago when they re-met. And Claude’s mother, Brigette (Carina Barone), pops up. It’s pleasing to know that Claude’s silly accent runs in the family, although since Barone seems to be French, I’m not quite sure why she sounds as if she’s putting the accent on. Maybe HW had employed too many faux foreigners over the years and by now I’m programmed to regard all foreign accents as false?

Brigette has come to stake a claim in Claude’s perfume line, but the matter gets more intriguing when it’s revealed that she’s being bankrolled by Laura. Eek! So there’s just one more episode to go – will all these plot-threads be neatly tied up? We shall see.

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