Adam Adamant Lives! – The Sweet Smell of Disaster

Benjamin Kinthly (Charles Tingwell) has a dream. He plans to take over the country with the help of some addictively perfumed plastic flowers (which are given away free with his washing powder Cloud 7). Only one man – and his sometimes annoying female sidekick – stands in his way ….

This is rather more like it. Robert Banks Stewart’s script is ploughing a very definite Avengers furrow, but that’s a plus for me rather than a minus. And given that plastic flowers are key to the story (although these are beguiling rather than killers) I wonder if Robert Holmes happened to tune in? Holmes’ later Doctor Who story Terror of the Autons also had a key role for plastic flowers.

For once, Adam has to face a male protagonist, although a wily female – Shani Matherson (Adrienne Corri) – operates as his sidekick. Once again, it’s best not to study the plot in too much detail – Kinthly is convinced that his scented flowers have now contaminated the whole country. So when he suddenly withholds supply, the nation (by now nothing more than hopeless addicts) will agree to his every demand. Everybody in the country? That’s a bit difficult to swallow.

The Sweet Smell of Disaster works on one level as a sly satire of the advertising world. Kinthly’s buzztalk and the advert we see at the end (which Adam and Georgina watch on a television screen) are good examples of this. Mind you, given how addictive the flowers are, I’m not quite sure why Kinthly’s wasting his time with such an extensive advertising campaign.

The series’ low budget means that we’re denied the vision of the whole country in turmoil, so we have to rely on the sight of Georgina and Simms – both, unlike Adam, affected – to sell the notion that the flowers really are addictive. Of course once Georgina is cured then she can assist Adam (something which the long-suffering Adamant is less than delighted about). However, since this allows her to dress up as a flower girl in a rather brief costume I was quite content. Adam himself seems to be a quick learner about the ways of the 1960’s as her attire seems to pass him by. A couple of episodes ago he probably would have been horrified.

When the episode moves onto film it’s possible to guess that a set-piece scene is coming. Given all the detergent lying around, Adam’s decision to mix it with water and then stage a foamy fight with Kinthly was an inspired one. The foamy catfight between Georgina and Shani was quite eye-opening too ….

An assured effort, the series now seems to be finding its feet.

H.G. Wells’ Invisible Man – Crisis in the Desert

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Brady is approached by Colonel Warren (Douglas Wilmer) of Military Intelligence as one of their top agents, Jack Howard (Howard Pays), is being held prisoner in a Middle Eastern country.  Howard, badly injured after an abortive escape attempt, is being guarded in a high security hospital and only the Invisible Man – along with the alluring local assistance of Yolanda (Adrienne Corri) – has any chance of freeing him ….

Fictitious Middle Eastern countries, forever teetering on the edge of instability, would be a staple of ITC adventure series during the next decade or so and Crisis in the Desert is an early example of this genre.  Naturally, foreign location filming was beyond the series’ budget, so instead we have a reasonably dressed backlot (which doesn’t look too shabby, it must be said).

Ethnic actors would also tend to be in short supply whenever an ITC series headed abroad, so it’s no surprise to see British performers in all the main roles.  The eagle-eyed will spot Derren Nesbitt in the background, but the bulk of the action is divided between Corri as Yolanda, Eric Pohlmann as Yolanda’s associate Hassan and Martin Benson as the villainous Colonel Hassan.

These three, along with Wilmer, make Crisis in the Desert a very enjoyable watch.  Wilmer oozes charm as he persuades Brady (rather easily it must be said) to undertake a dangerous mission in the Middle East.  It’s interesting that Warren reacts with horror when Brady tells him he thinks he’s close to reversing his invisibility – it’s obvious that Warren needs an invisible man to rescue Howard, but it’s odd that he doesn’t seem to have considered the possibility that once Brady has perfected his formula it could be duplicated.  Creating a whole army of invisible agents would have obvious benefits.  Given this, it seems a little foolhardy to risk Brady’s life (and the knowledge that only he has) on this jaunt abroad.

Corri had already racked up an impressive list of credits before appearing here as the glamourous freedom-fighter Yolanda.  She looks very nice in a nurse’s uniform as well.  Pohlmann has less to do, only react to Yolanda, but he’s effective enough.  Benson is great fun as the sadistic Hassan – he opens the story by slapping Howard about and later suggests to an unfortunate surgeon (played by Derek Sydney) that he performs a little brain operation on Howard in order to make him more pliant.

Several actors black up – most notably Peter Sallis as Nesib, the ambulance driver.  This probably isn’t a performance that’s going to be at the top of his cv, but for a working actor of this era playing the most unlikely nationalities was an occupational hazard (Sallis would later appear as an equally unconvincing Chinaman in an episode of Sergeant Cork).

The main problem with Crisis in the Desert is that there’s no real need for Brady to be there at all, as although he sneaks around the hospital in his invisible state, Nurse Yolanda is in plain sight all the time.  As we’ll see, this proves to be something of a problem for the writers – often the gimmick of having an invisible man tends to be sidelined as Brady is shoehorned into plots that don’t require his invisibility skills to be utilised.