The Quatermass Experiment – Episode Two – Persons Reported Missing

quat 2

Given the iconic nature of the serial, it comes as something of a surprise to learn that Nigel Kneale didn’t have the time to carefully craft it – instead it was written to a very tight deadline.  When a hole appeared in the Saturday evening schedules, Kneale agreed to write a six part serial to fill the gap, but by the time the early episodes were airing he still hadn’t written the concluding episodes.  In one way, this was an advantage – since he was able to watch the performances of the cast (especially Reginald Tate) and then tailor the finale to best suit their abilities.

Episode two opens with Victor Carroon taken away to the hospital, whilst Quatermass explains to a curious police officer exactly how the rocket functions.  This is a slightly awkward example of info-dumping – it’s important that the audience has some understanding of how the rocket works, but had Quatermass discussed this with his colleagues it would have seemed false (since they would obviously know as well as him how it operates).

Quatermass gives the policeman a guided tour.  “Food supplies. Recording apparatus. Transmitter. Vision Monitor. Remote Control. Bunks for the crew. They’re strapped down on those during take-off.”  Given the disaster that seems to have befallen two of the crew, Quatermass is extremely affable to stop and give the inspector all this information – but whilst he has moments of stress, he is generally a fairly polite chap (witness how he stopped to speak to the reporters before entering the rocket.  It’s hard to imagine Donlevy’s Quatermass being quite so understanding!)

What’s noticeable about this episode (apart from the rather poor quality of the telerecording) is how basic the majority of the sets are.  The hospital room, the police station, the arrivals area at the airport, etc are all fairly small sets and quite sparsely furnished.  Given the limited space in the studio, it’s understandable that the sets wouldn’t be terribly large and maybe the limited definition of the television service at the time meant that it wasn’t considered necessary to go overboard with the set dressing.

Producer/director Rudolph Cartier would later say that he always attempted to give the Quatermass programmes a cinematic feel, but it’s not really evident in this episode (which is mainly a series of conversations set in a number of rooms).  Given that the remaining four episodes don’t exist, it could be that they open out the story a little more – or maybe the cinematic stylings didn’t really start until Quatermass II, which benefited from a larger budget and extensive location filming.

The human interest of the story is given a twist when Judith Carroon reveals that she had planned to leave Victor, as she loved another member of the team – Gordon Briscoe.  This allows Reginald Tate to raise a surprised eyebrow.  Tate’s very good in this scene, restrained and resigned – whilst Isabel Dean is, alas, rather more animated, shall we say.

Overall, it’s a good episode for Tate.  He gets to display some flashes of anger – especially when he’s questioned about how hard he’s pushing Victor to remember what happened on the fateful flight.  Why does he want to know?  Is it for the sake of the families of the two missing astronauts, or so they can build safeguards for future flights or is it just because Quatermass doesn’t like a mystery?  The single-minded nature of the scientist is a cliche, but it’s one that’s touched upon at various points during the Quatermass serials (though Kneale generally is able to make some good use of this familiar material).

Duncan Lamont was an excellent actor, with a lengthy career in films and television (one notable film appearance is as Sladden in the third Hammer Quatermass adaptation – Quatermass and the Pit in 1967).  In this episode, he’s largely incomprehensible, just mumbling the odd word.  And the shell of the man he now appears to be is reinforced when Quatermass plays him the film of the pre-launch chat.

Here, we see Victor cracking a joke with his two colleagues, Dr Ludwig Reichenheim (Christopher Rhodes) and Charles Greene (Peter Bathurst).  Since we know the disaster that awaits them, it gives their relaxed banter a dark feeling – which is the point.  I didn’t spot Bathurst at first through the murk of the telerecording and he’s certainly unrecognisable from his later television appearances, such as Chinn in the Doctor Who story, The Claws of Axos.

Speaking of Doctor Who, the episode ends with Carroon speaking to Quatermass in perfect German and giving his name as Dr Ludwig Reichenheim.  This apparent assimilation is a mystery that will be revealed in the later episodes and it clearly made an impression on Robert Holmes, who included something very similar in his Doctor Who story The Ark in Space.  The same story also has a crib from QATP, which we’ll probably discuss at a later date.

And sadly, that’s all that exists of this serial.  There’s several different ways to get a feel for the rest of it though.  The scripts for episodes three to six are on the DVD as PDFs and there’s also the Hammer film (pretty good, although Brian Donlevy isn’t most people’s idea of Quatermass) or the 2005 live remake (pretty bad).

Next time, we’ll move on to Quatermass II, where a new actor (John Robinson) takes centre-stage in an ambitious production that plays on the Cold War paranoia of the mid 1950’s and has a familiar theme of alien invasion (or rather, the realisation that the aliens are already here).

6 thoughts on “The Quatermass Experiment – Episode Two – Persons Reported Missing

  1. Having recently watched the 2005 remake, I was wondering why you thought that “pretty bad” and the Hammer version “pretty good”? I don’t know which ending is more faithful to the original, but I thought I also saw a nod to the Hammer ending in Dr. Who’s “Seeds of Doom”.

    Any plans to review “A for Andromeda”, which was also remade a year after Quatermass?

    Liked by 1 person

    • There’s an undeniable sense of nostalgia about Hammer’s Quatermass films for me – back in the eighties, before any of the television series were available, they were my only window into the world of Quatermass.

      But it’s not just nostalgia – the three films still stand up well for me today (and the first two, due no doubt to the fact they were made so soon after the televison originals, have a similar feel and tone).

      They’re certainly more authentic than the 2005 Q/mass anyway, which felt at the time as if it fell between two stools. A reasonably budgeted remake of the original scripts would have been interesting, but what we had – a live broadcast – seemed rather gimmicky. If I ever get round to rewatching it, possibly I might be more kindly inclined though. You never know ..

      I’ve had a hankering to rewatch Andromeda for a while, so it could very well end up on the blog at a later date.

      Liked by 1 person

  2. I’ve just been (re)watching The Ark in Space (I must have seen the original broadcast, but have little memory of it). As you says, there are nods to both QATP and The Quatermass Experiment. I thought that maybe this was a hallmark of Robert Holmes’ scripts, but I see that other very Quatemassy Who stories, like The Ambassadors of Death and The Seeds of Doom, were written by others.

    Liked by 1 person

  3. My sequential rewatch of Who has now arrived at The Seeds of Doom. As I remembered, it’s very Quatermassy. Although the script was written by Robert Banks Stewart, the script editor was Robert Holmes, so maybe there’s something in my theory after all!


    • It also cribs heavily from ‘The Thing From Another World’ during the first two episodes. The Krynoid growing to mammoth size in the final episode does bring to mind the conclusion of The Quatermass Experiment, so there are some definite Kneale touches.


  4. Finished it!

    Yes, the ending, with the Krynoid towering over Chase’s mansion, does look rather similar to the ending of The Quatermass Xperiment, in Westminster Abbey. But also the transformation of Winlett and Keeler into the Krynoid recalls the transformation of Carroon in TQX. Another thing I hadn’t noticed before, was that when the Doctor, Sarah and assorted villains were trapped in the cottage, the Krynoid was making clicking noises reminiscent of the Triffids! (Although this was before the BBC adaptation).

    Happy Who Day!


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